That’s more or less the title of a YouTube video I did with Jared Polin of FroKnowsPhoto DOT COM! I know, I know, Jared and I probably couldn’t be on further ends of the personality spectrum with his outgoing rambunctious videos vs my somewhat quiet and reserved personality but the end result is a pretty great educational video for someone just getting started in architectural photography (or someone who wants to watch Jared get very politely shredded!)
Most of us are loafing around on our phones more than ever due to COVID-19, myself included. I’ve always thought it would be fun to put together a list of the best architecture photography instagram accounts to follow, so today the inspiration struck and I’ve decided to put everything in one easy list for you to check out.
Recently, I discovered a short film called Private View: Santiago Calatrava by New York-based filmmaker Alexandra Liveris, which affords a rare glimpse into the mind behind some of the world’s most famous pieces of architecture.
Earlier this year when I had interviewed Art Sanchez, part of the conversation was focused around the second half of his business: videography.
For the last decade, I’ve been dealing with varying levels of on-again, off-again back pain and the associated frustrations that come along with it. From almost non-existent to “I literally can’t even get out of bed,” the pain has been with me in some form daily, affecting work, relationships, and so much more.
In a previous article, I discussed five mistakes that beginner architectural photographers tend to make. Since then I thought about how I’ve obviously made mistakes since then and although they may not be relatable to beginners there are still lessons one can draw from them. In this article, I decided to discuss some of the worst mistakes I’ve made so far.
I was recently talking to my mother and she said she was enjoying the blog – what was it called? Apple-maniac? Damnit, mom! And she’s not alone – I’ve had a few people bring it up in conversation, so I want to pose a couple questions to our excellent readership and settle the most important debate of our time.
A recent article by Lexi Taciak discussed how we finally have the perfect podcast for architectural photographers, and the latest guest on the BAAM podcast was none other than APA’s founder Mike Kelley himself – and the insights he provides are invaluable.
Personally I enjoy listening to a podcast while I edit or write articles.
As architecture photographers, it is our job to have a solid understanding of architecture. I recently taught a workshop to a group of aspiring photographers and when I asked “who is familiar with the work of Richard Meier? Zaha Hadid?” a shockingly low number of hands went up – which tells me we have a problem here!
On edit days when I’m glued to my desk, unable to sit in silence, I cruise through entire discographies of music by the bushel. In an attempt to harness the time I’m sitting still, and actually learn something, I’ve turned to podcasts. It seems though, that there’s an endless amount of things to do at my desk and a finite amount of genuinely good content to consume.
Late last year, I was in Auckland, New Zealand, visiting a few architectural firms as I was interested in exploring opportunities across the Tasman. One of the firms, Patterson Associates, had been on top of my list because of their incredible residential projects located in some of the most picturesque coastal locations in the country.
In this edition of Three Links I Love: Adobe, the New York Times, and Twitter have partnered to attempt to solve an ages-old problem plaguing artists everywhere. A wonderful article from the NYT about how to give advice that actually matters, and Ezra Stoller’s new monograph hits the shelves.
For the last four or five years, I have tried to produce one annual workshop for aspiring architecture and interior photographers. While I hope that they are technically helpful and the students come away with new skills and knowledge, one thing that I’ve noticed is that every year each workshop inevitably transforms into a session of group therapy for all involved.
Earlier this year during the Melbourne Design Week, Turkish born, LA-based visual artist Refik Anadol had given a talk about his experiences in merging art, science and technology together to explore architecture using machine-made moving images. The core of this work focuses on machine intelligence which is a topic that I had briefly explored during my undergraduate studies and have had a great interest in.
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The first of October marks the start of Archtober which is a festival celebrating architecture and design organised by the Centre for Architecture. In its ninth year running, this year’s Archtober festival in collaboration with over 80 partners across NYC’s five boroughs are hosting a range of events from building of the day walking tours, workplace Wednesday tours, lectures, film screenings, architecture themed competitions and parties.
At the start of 2019, one of my goals was to understand the nuances of architecture. More specifically, to understand the social issues around architecture in the urban environment. As a photographer who has been photographing architecture and interiors for a few years, I have been absorbed by the prettiness of my chosen discipline yet unaware of the social implications of architecture.
I get multiple emails every day from retouchers looking to work with me; most of them are based in Vietnam, India, Bangladesh, Pakistan, Malaysia, etc. This is not necessarily a bad thing, and they serve a need in the market for inexpensive high-volume retouching. The problem is the emails.
Let’s talk renderings.
In the vapid comments section of some blog somewhere, I read an interesting, yet disheartening question: “Are you afraid that renderings will replace the need for architectural photography?”
See? Lame. But also that little part of me that is convinced Skynet is coming for us, gets it.
A few weeks ago I met up with the guys from Fstoppers and we released a ‘Critique The Community‘ video focusing on real estate and some architecture photography. For that video, Fstoppers readers submitted images and Patrick Hall and myself sat down and rated them. This time, I wanted to up the ante a little bit and take it more seriously – hard to believe, I know – but I think we made a very informative and helpful video as a result.
What happens when you are so obsessed with a perfect result that you neglect finishing the piece altogether? What happens when you spend an extra half hour on set perfecting an image only to miss the great light happening elsewhere? Why don’t interior designers ever photograph things at night (they used to!),