One of the most common forms of Copyright Infringement we come across as photographers is our images being on certain social media accounts or pages without our permission. Oddly enough, when the issue is even politely brought to the attention of the infringing account, the photographer can sometimes receive indifferent or even rude pushback.
Outside of Melbourne in the Yarra Valley sits an extraordinary venue that does it all. The sprawling 400 hectares of TarraWarra consists of two entities, the TarraWarra Museum of Art, and the TarraWarra Estate — consisting of a winery, restaurant, and cellar door.
Melbourne-based architectural photographer Fergus Floyd set about photographing TarraWarra as a personal project in 2019.
As architecture photographers, we love to talk “gear” don’t we? As a newbie, we may tend to think we need to purchase a massive amount of gear in order for our photos to even look presentable. When we meet other photographers, a default go-to conversation starter is “so what do you shoot with?”.
Dennis Radermacher — our 3D printing hero, and Project of the Week star — has constructed a bit of a different gift to the architectural photographer community today. Weighing the pros cons of working with an assistant, Dennis delves into the nitty-gritty of shooting solo and why it works best for his architectural photography workflow.
Today’s featured project takes us to Moscow, Russia where we’ll be checking out VOX Architects‘ World Class Alekseevskaya. World Class has some…ahem…world class photographs by architectural photographer Sergey Ananiev.
Sergey’s images all sport an ultra-clean and tidy look while still maintaining a sense of realism as mood.
This edition of Story of an Image is not necessarily a showcase of how you should go about creating a beautiful image, but rather an exercise in being resourceful if you ever find yourself unprepared and without the proper tools. This is the story of a somewhat random outing in Shanghai which led to the creation of one of my favorite images I have ever taken.
I recently received a call from Martijn Koetsier, a SEO expert with whom I have regular contact. In order to broaden his horizons, he had decided to spend a day every now and then this year with someone who does something completely different from him. Martijn wanted to know if he could join me on a shoot day.
When I see Dennis Radermacher of Lightforge Photography‘s name pop up in my notifications, I know it’s going to be a great day. Dennis — an architectural photographer based in Christchurch, NZ — is usually sending the APA crew his latest and greatest 3D printed creations. This time around though, my inbox contained a newsletter from Dennis showing off his recent projects.
With Independence Day in America having just passed, I was feeling nostalgic when considering what I wanted to share with our audience this month. I decided to go back to my academic roots. Being from the South, I recalled how nearby Auburn University’s Rural Studio, and in particular its visionary co-founder, Samuel ‘Sambo’ Mockbee, were so inspirational to me during my architecture studies way back when.
Canon has just officially announced the RF 14-35mm f/4L IS. This new lens brings ultra-wide capabilities at 14mm and native compatibility with Canon’s popular R-series cameras.
At $1,699 and 544 grams, it’s a cheaper, lighter and slightly wider alternative to Canon’s other RF wide angle zoom lens, the 15-35mm f/2.8L IS (priced at $2,299 and weighing 840 grams.)
This week’s featured project is a real beauty by Seattle-based architectural photographer Rafael Soldi. We’ll be checking out his dreamy photographs of Beach Drive by Revolve Development. Rafael has been kind enough to share so much about his process and this lovely shoot, and I’m excited to share his intel and work with you all.
Have you ever thought about the accuracy of GPS data? I actually didn’t, until I was commissioned to take a photo of a particular place before any work was done, and a photo from the same exact vantage point after the place has been renovated. Would that even be possible? I didn’t know, but I responded with my standard answer “Sure, no problem!”
After leaving the APAlmanac Architectural Photography Census open for almost six months in 2020, we are here to report the results. An incredible 1,259 professional architectural photographers from all over the world completed and contributed to the survey, which has provided an amazing cross section of how and why we’re working, where we struggle, where we succeed, and so much more.
If you’re looking to add some odds and ends to your gear kit, now is the time!
B&H just announced a three day sale with huge price cuts on hundreds and hundreds of items. I popped over to their site to scope out the deals, and while there aren’t really any big-ticket items like camera bodies or Arca Swiss cubes (we can dream, right?),
Lurking in the shadows of the photography world, retouchers are the hidden muscle behind so much imagery produced nowadays.
Hiring a retoucher is ultimately a personal choice. It’s an approach that many photographers take, but just like outsourcing any part of your business, there are pros and cons.
In an unassuming late-modernist building in Saint John’s Wood near the legendary Abbey Road crossing, sits Maido Sushi. Once an old post office, this architectural gem was given quite the facelift by Child Studio. Careful to preserve the original modernist charm, but introduce “a subtle blend of European and Japanese design influences” to the interior, Child Studio crafted a perfectly balanced space.
Icons of the modernist movement, Charles and Ray Eames, taught us to see the world differently. “Eventually, everything connects – people, ideas, objects…the quality of the connections is the key to quality” Charles Eames famously stated. Over their remarkable career, the Eames cultivated a design process where ‘learning by doing’ was their mantra and who vowed to never to delegate understanding.
Here at AP Almanac, we talk a lot about copyright infringement — and not without reason. Most clients have no idea that the photos you send them are not actually their property, and that they (in most cases) can’t just do whatever they want with the images. It’s so important to explain what your clients can and cannot do with the photos you’ve licensed to them so you don’t get questions like:
“Well, wait a minute, I paid for the photos – how do I not own them?
Today’s top-notch POTW is a parking garage. Yep…a parking garage. This story is full of drama, with stray bullets delaying the shoot date and Garey and his assistant hauling gear all over the streets of Atlanta!
That’s right, today we are checking out the gorgeous work of Georiga-based architectural photographer Garey Gomez.
When it comes to Photoshop tutorials and luminosity masking software I have two clear favorites: Unmesh Dinda and Lumenzia. It was a no-brainer to share this PiXimperfect video featuring an extensive review of Lumenzia.
Unmesh’s teachings are extensive and clear. This allows you to easily transport the techniques learned into your architectural photography workflow.