On edit days when I’m glued to my desk, unable to sit in silence, I cruise through entire discographies of music by the bushel. In an attempt to harness the time I’m sitting still, and actually learn something, I’ve turned to podcasts. It seems though, that there’s an endless amount of things to do at my desk and a finite amount of genuinely good content to consume.
Late last year, I was in Auckland, New Zealand, visiting a few architectural firms as I was interested in exploring opportunities across the Tasman. One of the firms, Patterson Associates, had been on top of my list because of their incredible residential projects located in some of the most picturesque coastal locations in the country.
In this edition of Three Links I Love: Adobe, the New York Times, and Twitter have partnered to attempt to solve an ages-old problem plaguing artists everywhere. A wonderful article from the NYT about how to give advice that actually matters, and Ezra Stoller’s new monograph hits the shelves.
For the last four or five years, I have tried to produce one annual workshop for aspiring architecture and interior photographers. While I hope that they are technically helpful and the students come away with new skills and knowledge, one thing that I’ve noticed is that every year each workshop inevitably transforms into a session of group therapy for all involved.
Earlier this year during the Melbourne Design Week, Turkish born, LA-based visual artist Refik Anadol had given a talk about his experiences in merging art, science and technology together to explore architecture using machine-made moving images.
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The first of October marks the start of Archtober which is a festival celebrating architecture and design organised by the Centre for Architecture. In its ninth year running, this year’s Archtober festival in collaboration with over 80 partners across NYC’s five boroughs are hosting a range of events from building of the day walking tours, workplace Wednesday tours, lectures, film screenings, architecture themed competitions and parties.
At the start of 2019, one of my goals was to understand the nuances of architecture. More specifically, to understand the social issues around architecture in the urban environment. As a photographer who has been photographing architecture and interiors for a few years, I have been absorbed by the prettiness of my chosen discipline yet unaware of the social implications of architecture.
I get multiple emails every day from retouchers looking to work with me; most of them are based in Vietnam, India, Bangladesh, Pakistan, Malaysia, etc. This is not necessarily a bad thing, and they serve a need in the market for inexpensive high-volume retouching.
Let’s talk renderings. In the vapid comments section of some blog somewhere, I read an interesting, yet disheartening question: “Are you afraid that renderings will replace the need for architectural photography?” See? Lame. But also that little part of me that is convinced Skynet is coming for us, gets it.
A few weeks ago I met up with the guys from Fstoppers and we released a ‘Critique The Community‘ video focusing on real estate and some architecture photography. For that video, Fstoppers readers submitted images and Patrick Hall and myself sat down and rated them.
What happens when you are so obsessed with a perfect result that you neglect finishing the piece altogether? What happens when you spend an extra half hour on set perfecting an image only to miss the great light happening elsewhere? Why don’t interior designers ever photograph things at night (they used to!),
I recently teamed up with Patrick Hall from Fstoppers to critique some real estate and architecture images for the once-a-year critique I do with them. These images are submitted by the Fstoppers community and while we focused on and asked for people to submit real estate-based images, I still think that this critique is valuable if your primary interest is in architecture and interiors photography.
Yes, no, maybe so! There are so many specific use cases and I get asked nearly daily. "Why did your style change?" "Did you use lights on this?" "Wow I love this natural style you're using nowadays" "Why don't you shoot like you used to?"
In a contrasting approach to my post about intentionally shooting during bad weather, photographer Heather Conley delivers a great vlog-style narrative video discussing her approach to selecting a shoot day based on weather. Heather is a successful architectural photographer based in Connecticut who has worked for a wide range of clients photographing a variety of project types.
My name is György Palko, and I’m an architectural photographer based in Hungary. For my first post on APA, I’m going to share how I edited one of my favorite twilight images. To perfect this image, I used a wide range of techniques including exposure blending, color correction, cloning and sky replacement.
Every single photographer has rescheduled a shoot due to weather – that’s just a universal truth in this profession. But I don’t think you should reschedule when bad weather is predicted – I think you should embrace it and accept whatever comes your way to create more interesting photographs.
Project of the Week has been a staple of Architectural Photography Almanac since the beginning, so we thought it was time to let you in on the process. How do we choose the projects to share with you? Where do we find them? Why does any of this even matter?
In order to be a great architecture photographer, one must, well, understand architecture. One of my favorite high-quality resources on the web that has helped me understand our subject matter better is Youtube channel “The B1M,” which bills itself as the definitive channel for construction – and there is plenty of interesting architecture talk to be found there as well.
I recently returned from a trip to China where I was tasked with photography an epic resort – and I don’t use that word lightly. With hundreds of rooms, private villas, and drool-worthy penthouses, it was an assignment I won’t soon forget. I’ll get around the posting a full trip report when I come up from air after another whirlwind travel schedule, but here is a taster of what’s to come.