For some time now, it has become popular to claim that Nikon has overslept the transition from DSLRs to mirrorless cameras, and some even predict the end of the company. Nikon, with the introduction of the well-received Z9, showed that they still know how to build great cameras for professionals that even set new standards in certain fields.
Produced for more than 20 years, Swiss-made Alpa cameras are renowned for their precision, construction quality and high price. They are designed to work with medium format digital backs and specifically mounted lenses from Rodenstock and Schneider.
Fujifilm’s GFX series cameras are great equipment for architectural photographers. We can argue whether this is a true medium format, but it is certainly a piece of equipment used by an increasing number of professionals. There are more and more interesting lenses available for this system, and many readers are surely waiting with bated breath for the release of the shift lens announced by Fuji.
While (clearly) an A&D photographer isn’t going to use flash for every single shot, many professionals have it at their disposal if a particular composition calls for it. Yes, off-camera flash is not the easiest thing to learn, but there’s definitely a simple way to initially approach it.
Architectural photographers are probably following the news in the small specialist geared head market with interest. In a space that has been dominated by Manfrotto and Arca Swiss for, as far as I can tell, decades, the Chinese brand Leofoto emerged a few years ago.
A tripod can serve as support for both the camera and the photographer who is exhausted after a long photo session. It can also be a declaration of the photographer’s presence, expressing their intention to capture their subject. During documentary projects, I have consciously used a large format analog camera placed on a tripod, which drew the attention of passersby and became a pretext for conversation, facilitating the establishment of contact with people I wanted to photograph, for example, to take their portraits.
Have you ever had freezing hands during a photoshoot or drone flight? Look no further, as today I present you the best winter glove for photographers.
For some time now, I’ve been convinced that a better tripod or tripod head doesn’t make me a better photographer or improve my photographs in any way. That being said, it definitely makes my life easier and more satisfying instead of difficult. That’s why as a professional architecture photographer I always use carbon tripods from Gitzo with heads and accessories from: Arca Swiss, Really Right Stuff and Sunwayfoto.
I have to admit that I have a slight obsession with camera tripods. Over the past ten years, I have accumulated six of them in my office and every one has its own unique use. For my architectural shoots in the mountains, I was looking for a real jack of all trades.
If you’re into architectural photography, my guess is that you already know about the abilities of tilt-shift lenses. Canon has been on the forefront of this domain for years. More recently Laowa has started to offer an alternative. Now they have both a 15mm and a 20mm option.
Our favorite gear shop B&H Photo is running some great promotions and sales today. If you’re thinking about grabbing new photo equipment or gear for your office, you might want to check in on their current deals.
Here are a few of my favorites:
Save $800 on the Fujifilm GFX 50S II
Fuji’s GFX 50S II typically costs $3,999.95 for the base, but right now at B&H you can pick it up for $3,199.95, saving you $800.
Hikes through the Alps are my favorite excursions, in search of new architecture to photograph. Here I have to work out my pictures. For these photo shoots, I usually stay one night on location. This way I reserve the time with the most beautiful light for photography: late afternoon, blue hour, and early morning.
For my latest shoot in my ongoing photo series Modern Alpine Architecture, I had the chance to test out a new piece of equipment. Data transfer and protection have always been an essential part of my shoots. Usually, I had my laptop on top of a backpack at the trunk of my car or in the passenger seat.
Whether a hobbyist or a professional, you’re more-than-likely familiar with classic pieces of gear most photographers need…lenses, light modifiers, flashes, etc. What you don’t typically hear about though, are the unconventional pieces of gear that photographers use.
DJI released the Mavic 3 back in November of 2021. This next iteration of their flagship drone brought with it a ton of upgrades users had been eagerly waiting for since its predecessor, the Mavic 2 had been released three years prior. We wrote a series of articles about this much-anticipated release, including two fantastic deep dives by my fellow APA writer György Palkó that you can find here and here.
Ever since I started my journey as an architectural photographer, I’ve had to face a big dilemma. I learned the basics of photography with Nikon cameras, so when I got to the point where I really needed to use tilt-shift lenses in my architectural photography work – I was left wanting.
I know for an architectural photographer, the use of a tripod is assumed to be mandatory. It seems like we have our cameras firmly glued to our tripod heads. However, I have to confess that, especially for outdoor shots of buildings, I find the freedom of shooting handheld really liberating.
Camera Cages are just for videographers, right? In this review I am going to show you why I love a cage for my hybrid work between architectural photography and videography.
From day one I put my Canon R5 into a camera cage and only let it out of there for trips with the family, where I want to carry minimal equipment.
There have long been rumors that Fujifilm would launch tilt shift lenses, and now they have finally shown off what they have been working on.
Screen capture from X summit 2022For a long time, GFX photographers have used Canon’s TSE lenses. These have worked well for many photographers and we did a comparison of how they performed on a GFX100s a year ago.
For the past few years I’ve been focusing my energy on establishing myself as an interior design and architecture photographer and with that came a lot of very expensive purchases. The type of equipment we need to develop ourselves in this industry is very specialized and is often accompanied by a hefty price tag.
