Let’s be honest. Many of us spend more computer time than we would like to admit. Having an efficient workflow in the office allows us to free up more time for sessions — plus your eyes and back will thank you for it! In this post, I share three apps that are essential in my in-office workflow.
Last weekend, in Gold Coast (Australia), we had the Open House and coincidently, it was the same weekend as the Open House New York and Chicago programs as well. I love the Open House programs as it gives you access to a lot of impressive buildings that generally wouldn’t be open to the general public.
The topic of usage fees remains at the top of the list of questions I observe among architectural photographers. Many of us concur that a “standard” license for a commercial client would typically include rights for the client to use the images on their own website, social media, local advertising, and for other purposes of self-promotion (some refer to this as a “publicity and collateral” license). However, where exactly to draw the line varies dramatically across the industry.
Israeli-Canadian architect, Moshe Safdie, first visited China in 1973. Little did he know then, that nearly five decades later, he would realize one of the largest, most audacious architectural projects not only in China but on the entire planet.
German architect Ole Scheeren’s TED talk from a few years ago has inspired me both as an architect and a photographer. Founder and principal of the architecture firm that bears his name, Büro Ole Scheeren, Scheeren’s talk underscores his belief that ‘form follows fiction’ and that buildings must do much more than simply provide form to accommodate functional needs.
Ikea founded in 1943 by 17-year old, Ingvar Kamprad, as a mail-order company selling office supplies in its infancy. Fast forward to today, it has become a global brand and spread across the world with 294 stores (owned by Ikea) in 40 countries. Over time, they have evolved to be known as the king of flat-pack furniture.
Sky replacements have long been standard practice in architectural photography. However, the existing tools to do so remain, in my opinion, somewhat haphazard. Some skies are an easy slam-dunk, capable of being replaced in a few clicks using something as simple as the Tragic Wand or Quick Selection tool.
Knowing how to accurately represent space as seen by the human eye into a bidimensional media is relatively new. Early art depictions tend to focus on the spiritual and not on a literal representation of the world. Size and proportion of the subjects responded to hierarchy levels.
I must confess that I have never pressed the record button on my camera. Lately, the growing number of video platforms and the demand for architectural video has made me think twice about dabbling in video. Watching or re-watching films paying special attention to the role of architecture is a powerful tool and source of inspiration available to anyone interested in both architectural photography and video.
I am absolutely infatuated with tall buildings. Mike Kelley has his airplanes, I’ve got my skyscrapers. Or so I thought. For more than two decades, China (where I am based) has experienced unprecedented growth in the number of constructed high-rise buildings, but alas we may be seeing the end of an era for skyscrapers in the Middle Kingdom.
Imagine being on the frontline of the 20th-century transition in the artistic world of photography. From the pristine landscapes captured by Ansel Adams to man-altered landscapes through industry and construction, there was so much changing in the world.
This short and poignant video by the B1M highlights the increasing propensity for renders to exaggerate the truth, leading to disappointed clients and impossible design goals for projects. Not only do these renders mislead the public, setting them (us!)
When it comes to public architecture, photographers are typically tasked with capturing a building prior to it becoming fully operational or occupied. This makes sense in many ways. Larger scale architecture can take years of effort to realize, and architecture firms rightfully want to start integrating photos of the building into their marketing efforts as quickly as possible.
How many times have you received an inquiry from a potential client that, in the first message, includes something along the lines of, “What are your prices?” or, “Can you please send your rate sheet?” When this happens, do you typically reply with a PDF that outlines your entire pricing structure, or perhaps refer them to a page on your website?
As the pandemic brought on by COVID-19 rages on, traveling beyond our city limits (or perhaps even our living rooms) remains an unlikely reality, at least in the short term. Given that many of us are stuck at home, with more free time on our hands than we’re used to, I wanted to share a couple of photographers’ personal projects dedicated to showcasing the role architecture can play in crafting our sense of ‘home.’
Architecture and the moving image, and of course photography and the moving image, have a long, intertwined history. By the turn of the 19th Century, the technology that the early photography pioneers were still experimenting with had progressed to the point at which they could record a series of stills in an incredibly short amount of time, and play them back to animate the sequence.
Representation of architecture in social media is becoming more and more prevalent, as there is a trend where an architect or interior designer will design a space that will be more Instagrammble in the pursuit of getting likes. In this episode of Archimarathon, hosts Kevin Hui and Andrew Maynard both discuss how projects are now represented solely through the hero image rather than through architectural drawings in social media.
Visiting this masterpiece transforms time into something relative. You will wander over Roman soil enclosed by a delicate pavilion that feels timeless, but was designed and built in the late eighties.
In his recently published book, Beautified China: The Architectural Revolution, Belgian photographer Kris Provoost carefully curates dozens of the nation’s most spectacular architectural wonders. Focused on showcasing iconic projects dating back to the lead-up to the 2008 Beijing Olympic Games, the book is a photo essay providing an abstracted, stylized glimpse into some of the China’s boldest, most dynamic buildings that collectively make up what Provoost dubs ‘the architectural revolution.’
From the stairs that Rocky Balboa ran in his training montage, to homes of Hollywood celebrities, to some of the most iconic public projects in the world, Black and African American architects have designed many of the architectural icons and integral buildings that we see and use every day.
