I recently teamed up with Patrick Hall from Fstoppers to critique some real estate and architecture images for the once-a-year critique I do with them. These images are submitted by the Fstoppers community and while we focused on and asked for people to submit real estate-based images, I still think that this critique is valuable if your primary interest is in architecture and interiors photography.
In a contrasting approach to my post about intentionally shooting during bad weather, photographer Heather Conley delivers a great vlog-style narrative video discussing her approach to selecting a shoot day based on weather. Heather is a successful architectural photographer based in Connecticut who has worked for a wide range of clients photographing a variety of project types.
My name is György Palko, and I’m an architectural photographer based in Hungary. For my first post on APA, I’m going to share how I edited one of my favorite twilight images. To perfect this image, I used a wide range of techniques including exposure blending, color correction, cloning and sky replacement.
Every single photographer has rescheduled a shoot due to weather – that’s just a universal truth in this profession. But I don’t think you should reschedule when bad weather is predicted – I think you should embrace it and accept whatever comes your way to create more interesting photographs.
Project of the Week has been a staple of Architectural Photography Almanac since the beginning, so we thought it was time to let you in on the process. How do we choose the projects to share with you? Where do we find them? Why does any of this even matter?
In short; the internet is overflowing with content.
In order to be a great architecture photographer, one must, well, understand architecture. One of my favorite high-quality resources on the web that has helped me understand our subject matter better is Youtube channel “The B1M,” which bills itself as the definitive channel for construction – and there is plenty of interesting architecture talk to be found there as well.
I recently returned from a trip to China where I was tasked with photography an epic resort – and I don’t use that word lightly. With hundreds of rooms, private villas, and drool-worthy penthouses, it was an assignment I won’t soon forget. I’ll get around the posting a full trip report when I come up from air after another whirlwind travel schedule, but here is a taster of what’s to come.
Photographer Trent Bell and architect Eric Reinholdt recently teamed up to make this video and and the result is a rare insight into both the mind of an architect and a photographer. Eric as designer and Trent as his long time photographer have a great relationship and it shows; and the insight provided by their creative relationship is very valuable.
I recently participated in an open forum on Reddit, the self-proclaimed “front page of the internet.” The idea of the thread was “ask me anything,” a popular interview-type format where readers submit questions about anything under the sun for the host to answer.
As a child of the internet, I’ll always have a soft spot in my heart for forums, listservs, and any type of community-driven gathering space as they are where I really became familiar with photography and learned how to operate a camera.
A little over a year ago Mike Kelley, the head honcho, and big cheese at AP Almanac lost against Lee Morris in an architectural photography challenge. This was a huge surprise and an upsetting result for many who are fans of Kelley. This year they decided on doing a similar contest to see who is, in fact, the best architectural photographer between the two.
Any photographer who has tried to take pictures in any moderately urban environment is familiar: the security guard, keeping us safe from the “terrorists” with cameras, protecting the interests of “the man” from purported “liabilities,” and whatever other nonsense boogeyman they’ve dreamt up that doesn’t exist.
For some reason photographers are obsessed with being published, I am a photographer, ergo, am obsessed with being published. It feels good, it looks pretty, and it makes your photographs real, as in a tangible thing that other people hold and look at and say “wow” like Owen Wilson. Wowwww.
We’ve all been there and to deny it is just an outright lie. Whether it’s “can you just photoshop that” or “I promise the contractors will be gone by the time the shoot happens,” you’ve got to roll with the punches and over my career I’ve turned to humor to do so, otherwise someone would be scraping me off the floor of another five-over-one apartment somewhere.
I’d love to pretend that this goes without saying, but it’s incredibly important to actually understand what our clients do in order to deliver the best possible images to them. There is so much more goes into interior design than just making a space “pretty,” especially when you are considering commercial, civic, and other large-scale projects.
I already know that this is going to be a controversial article, but it’s something I have to get off my chest because I look back and almost feel guilty about how much money I have spent on these things. The photography industry is full of products that you may or may not need and separating the wheat from the chaff is going to be important when you’re watching where your money goes.
This article is essentially impossible to write, but it’s the single question I am asked more than any other. In fact, I apologize to anyone who has emailed me or asked me this question in person because I simply do not answer. That’s because there is no easy way to answer; it’s the equivalent of walking up to someone and asking them “how long is a piece of string?”