Can a Photographer’s Image be Re-Posted on Social Media?

One of the most common forms of Copyright Infringement we come across as photographers is our images being on certain social media accounts or pages without our permission. Oddly enough, when the issue is even politely brought to the attention of the infringing account, the photographer can sometimes receive indifferent or even rude pushback.

How Much Are Architectural Photographers Charging and Earning? The First Results of the APA Census Are Here

After leaving the APAlmanac Architectural Photography Census open for almost six months in 2020, we are here to report the results. An incredible 1,259 professional architectural photographers from all over the world completed and contributed to the survey, which has provided an amazing cross section of how and why we’re working, where we struggle, where we succeed, and so much more.

Need to Explain Copyright and Licensing to Your Clients? Matthew Anderson Simplifies The Discussion

Here at AP Almanac, we talk a lot about copyright infringement — and not without reason. Most clients have no idea that the photos you send them are not actually their property, and that they (in most cases) can’t just do whatever they want with the images. It’s so important to explain what your clients can and cannot do with the photos you’ve licensed to them so you don’t get questions like:

Well, wait a minute, I paid for the photos – how do I not own them?

Prime Members Get Unlimited Storage On Amazon Photos – A Cloud Backup Alternative to Google Photos

While it maybe wasn’t as great for backing up photos as it was for compressing them, Google Photos was a perfect platform to use as an easy-to-access online portfolio that was always in your pocket. I was using it extensively, not just for sharing the photos from photography trips with my friends, but also to send images to my clients for fast reviews before the final delivery.

Can Exposure Pay The Bills? Mass Collective Talks Licensing and Pricing in ‘CREDIT FOR BREAKFAST’

It seems like more than ever, architectural photographers are battling copyright infringement, ignorance towards licensing, and confusion over usage rights — not to mention the dreaded “but this will be great exposure” remark.

On Wednesday, April 28th 2021 at 7:00 pm BST (2:00 pm EST) Mass Collective in collaboration with VIEW Pictures will be hosting an online talk discussing the importance of licensing and contracts in the photography business.

Just Let The Photographer Do Their Job

When I was a baby architecture writer, a thousand years ago, I remember spending what felt like the majority of my work time asking my editors who’d commissioned stories, or publicists who were pitching me projects, or architects who’d decided to see if I might want to write about something, to send me pictures.

Let’s Increase the Value of Your Work (For Both You and Your Clients)

Hi everyone, Rob here! I just joined the APALMANAC writers rank and am really thrilled to be part of the team that makes this magnificent, unique platform come to life. My brief is to write about architectural photography with an emphasis on post-production, so in the future, I’ll bother you with color management, image blending, and all other kinds of topics you can think of that involve our production process.

“The Value of Architectural Photography” With Rob Van Esch

A few years ago, seasoned Amsterdam-based architectural photographer Rob Van Esch released a captivating eBook “Staying On Top of Current Architectural Photography Trends” which focused on the recent shifts in the way architecture is photographed.

Rob has written another thought-provoking book that we’re excited to share, “The Value of Architectural Photography, and How to Increase It.”

The CASE Act Passed, and I’m Not Happy

As a photographer who consistently enforces my copyrights and encourages others to do the same, colleagues are often surprised to learn that I do not support the CASE Act in its current form. At first glance, it sounds amazing: a low-cost, fast, informal way to resolve infringement claims, presumably without even the need for an attorney. A more thorough review of the Act’s provisions, however, reveals numerous caveats that, in my opinion, will be very easy for a resourceful infringer to exploit.

When to Charge Separate Usage Fees

The topic of usage fees remains at the top of the list of questions I observe among architectural photographers. Many of us concur that a “standard” license for a commercial client would typically include rights for the client to use the images on their own website, social media, local advertising, and for other purposes of self-promotion (some refer to this as a “publicity and collateral” license). However, where exactly to draw the line varies dramatically across the industry.
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