Navigating Your Options in an Infringement Claim

There are two categories of photographers in the world—those whose work has been infringed, and those whose work will be infringed. Sooner or later, it’s almost certain that it will happen to you. You’ll be casually scrolling through your social media feeds, or maybe researching a potential client’s website, when suddenly, you pause in disbelief as the reality sets in: your work has been used without your prior knowledge or permission.

How to Get Credit For Your Images When Credit Has Not Been Supplied or is Incorrect

I photograph a lot of homes for a lot of different clients with a lot of different end uses for those photographs. While in a perfect world I’d get a photo credit every time my work was submitted, sometimes that doesn’t happen and it’s up to me to get it fixed. Whether or not you think photo credit is important (it is, don’t @ me), you should always have any errors or omissions in credit resolved as soon as you can.

Bidding and Estimating: How I Landed A Dream Assignment in Europe

Since the beginning of my photography career, I’ve had a list of projects that I dreamed of shooting. While most of the projects were out of my reach at the time, as my career has grown, buildings on my “dream assignment” list have become more accessible — while my goal list has grown! If you are in love with photography and architecture, I think you can agree that your list of dream projects and clients will always be growing and evolving.

How to Tactfully Handle Egregious Rights Grabs

It seems near-constantly that we are asked for ‘all rights’ to the photographs, or to own them in ‘perpetuity’ for some reason or another, but a recent e-mail exchange I was a part of presented a perfect opportunity to share one way I ensure my clients have the license they need while at the same time not giving in to overreach and a loss of image rights.

The Credit Revolution: It’s Time to Give Visualization Artists The Credit They Deserve

A group of high-profile architecture visualization professionals have banded together to ensure that they are properly credited when their work is disseminated throughout the architecture and media world at large. A problem that many photographers are also familiar with, for years, architectural visualization artists have found their work has gone uncredited when those assets are so vital to getting architecture projects off the ground.

Professional Photography in a Small Market: Is It Possible?

Architects, interior designers, developers, and hotels don’t just exist in big cities, and neither do architectural photographers. I personally know photographers everywhere from the biggest cities in the world to remote and desolate areas, and they all have different definitions of success – but one thing is for sure and that is they are all making a healthy living at it, although using different methods and approaches.

How to Make More Money with Cost-Sharing

Cost-sharing is a common business practice in architecture and interiors photography that allows the photographer to make more money by providing more clients access to project images for less money. It may sound counterintuitive at first, but can be a simple way to create happier clients while significantly improving profit margins with little additional overhead.

Photo Credit: The Eternal Struggle Of Credit Where It’s Due

The photo credit is an important, yet sometimes elusive, piece of the professional architecture photographer pie. With the speed at which the photography landscape is changing, there are varying standards for getting photo credit in almost every situation. Here’s how I make sure I’m properly credited for my work, and how you can stand up for your own work to make sure you get credited as well.