How To Remove Yourself From a Mirror In a Photograph With an “Invisible” Camera

Many of us architectural photographers are no strangers to a good tilt-shift lens. We probably even have a favorite that we use regularly for most of our shoots. My personal favorite is the Canon TS-E 24mm f/3.5 II. Although I don’t shoot with it as much as I do the 45mm, I still prefer the 24mm over the other tilt-shift lenses.

Three Things I Hate About Tripods

In my view, the most tedious and frustrating bit of equipment that I need to take with me to any meaningful shoot is a tripod. Most tripods are cumbersome, heavy and, unwieldy. They’re a pain to carry around and I absolutely hate them. Don’t get me wrong, I love the results I’m able to produce with a tripod, I just hate everything else about them.For

Here’s Why the Highly Underrated Canon EOS RP Is a Brilliant Option for Architectural Photographers

Most of my reviews and articles tend to be about the “best” cameras and gear; I’m all about high-resolution and super sharp lenses. Honestly, for many of us including myself, the “best” doesn’t really matter that much anymore. In more recent times I’ve been more conscious about my expenses and as a result, the camera that keeps coming up on my radar is the Canon EOS RP.

Ten Ways to Get the Most out of Your Tripod

Tripods are not the most glamorous bits of gear that many photographers own. In fact, I generally hate using a tripod. Not because it doesn’t produce the results I want, it’s just such a pain to carry around; especially the heavier ones which are also, unfortunately, the more useful ones.

Large Format Is Still Completely Unrivaled: 8×10 vs Fuji GFX 100 (5DS R & X1D II)

In my last article, I talked about why a 150mp EOS R type camera would be incredible for architecture. I prefer high resolution cameras because as I’ve mentioned in past articles, they offer tons of flexibility when it comes to cropping and editing. In our latest video, we look at a camera that has the potential to produce images with resolutions far greater than any digital camera currently on the market.

Why the Rumored 150mp Canon EOS R Camera Would Be Perfect for Architecture

As you may know, I’m not shy about megapixels. For architectural photography, I prefer more resolution over less. There are several reasons for this and it’s mostly down to flexibility; with a higher resolution camera you have more flexibility when it comes to post production, printing, cropping, and scaling.

Canon 5DS R: Still the Best Camera You Can Buy for Architectural Photography

In February 2015, Canon released what I think is the best architectural camera made so far. Almost 5 years on and this camera is a little long in the tooth but in my view still the best camera you can buy for this specific type of photography. I’m aware some of you may want to point out the Sony options or Fujifilm medium format cameras, but, nothing comes close to how good the Canon 5DS R is.

Leofoto Announces G2 Geared Head; Sets Sights Squarely on Arca Swiss

I never thought I’d type the words “competition heats up in tiny geared head market” but alas, competition is heating up in the tiny geared head market. In a space that has been dominated by Manfrotto and Arca Swiss for, as far as I can tell, decades, new competitors are beginning to pop up – one of which is Chinese company LeoFoto, who recently announced their G2 geared head which seems to be a direct shot across the bow of Arca Swiss.The

Arca Swiss Announces Core 75 Leveler; Perhaps The Perfect Mid-Sized Geared Head

Anybody who photographs buildings knows about geared heads; they are simply the foundation upon which we build our images. For as long as I’ve been a photographer, Arca Swiss has set the gold standard in high quality geared heads and they recently announced an addition to their lineup: The Core 75 Leveler, which appears to slot nicely between the C1 Cube and Core 60 Leveler.Until

A Simple $3.99 Fix To Help Improve Your Styling Prowess

Styling and propping is important for every architectural photo, and as anyone who’s photographed on location knows, some things are out of our control – such as the weather, the wind, the quality of construction, and the angle at which doors are installed.

How to Prevent Camera Shake When Photographing Architecture

Have you ever spent the day on location only to return home to go through the day’s work and realize that some of the images have motion blur? This is probably one of the most annoying little things you may encounter when starting to work as an architecture or interiors photographer.

Has the Fujifilm GFX Redefined Medium Format?

Fujifilm is currently my favorite camera company within the photography industry. I find that they’re one of the very few companies that properly pushing the boundaries and delivering feature-filled cameras at very reasonable prices. The Fujifilm X-T3, for example, is incredible value for money.

When Your Lenses Just Aren’t Long Enough, it’s Time For an Extender

There are many situations where the 24mm TS (Nikon or Canon) — our standard lens for architectural photography — isn’t quite long enough. Maybe you want to make a detailed vignette. Maybe you’d like to hide the side of a building which doesn’t look so great.

The 60mp Sensor in the Sony a7R IV Is Still Not Enough for Architecture

I can appreciate that many of you may assume I’m simply trying to trigger photographers with this article and its “clickbait” title. That is honestly not my intention because I firmly believe in what I’m about to discuss and I’m going to explain why I think what I do.
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