György Palkó

STAFF WRITER

Based in Ajak, Hungary, I am a father, husband, and architectural photographer - these three "roles" fills my entire life. When I'm not with my family, you can find me photographing architecture, cheering for AC Milan (have been a fan since birth!) or out for a run.

http://gyorgypalko.com

Post-production From Start To Finish: Step 1 – File Organization and Importing

György PalkóJanuary 21, 2020 5

A new year gives us all an opportunity to rethink our processes and see if we are doing the tedious back end parts of our jobs in the most efficient way. In 2018, I started a new — and more organized — system of organizing my files, and so far it has been working out really well for me. Data storage and file handling is usually incredibly personal and changes from person to person, so just remember, there is not one single right way to do it.

Lightroom’s HDR Merge in Depth

György PalkóJanuary 13, 2020January 12, 2020 9

In my previous article, I admitted to both using Lightroom’s HDR function and showing that it’s a viable solution for professional architectural photography. There are many benefits to post processing with this technique, because what you end up with is still a RAW file, you can play with white balance, shadows and highlights exactly like on a single capture, but with the extended dynamic range offered by a blended HDR file.

How to Use HDR and Get Away With It

György PalkóNovember 19, 2019November 20, 2019 12

HDR has become a dirty word in professional architectural photography. We’ve all seen the over-processed HDR real estate photos where the colors and tones are off, and everything looks crispy and awful. Don’t get me wrong; tasteful HDR like the work of Trey Ratcliff as an artistic choice, now that can be cool.

Can You Correct Tilt-Shift Lens Distortion Using Built in Profiles in Lightroom?

György PalkóOctober 21, 2019October 21, 2019 6

Short answer? There is no lens correction profile in Lightroom specially dedicated to tilt-shift lenses. Okay, then why am I writing about it? Because contrary to popular belief, there are some profiles that can be applied, and they actually correct most of the major issues.

When Your Lenses Just Aren’t Long Enough, it’s Time For an Extender

György PalkóSeptember 16, 2019September 16, 2019 4

There are many situations where the 24mm TS (Nikon or Canon) — our standard lens for architectural photography — isn’t quite long enough. Maybe you want to make a detailed vignette. Maybe you’d like to hide the side of a building which doesn’t look so great. You may need to do the opposite and highlight something important that requires a different focal length than 24mm.

Photographing A Hungarian Countryside Home, Part 3: The Kitchen Shot

György PalkóSeptember 5, 2019September 5, 2019 13

We have arrived at my third and final image in this series, and this time, we’re photographing an interior. In the first two articles, I showed how I create twilight and daylight exterior images. To create this image, I used just a handful of techniques, such as blending different exposures, cloning, cropping and making some color adjustments.

Photographing A Hungarian Countryside Home, Part Two: With or Without You?

György PalkóAugust 20, 2019August 20, 2019 6

In part two of my behind-the-scenes series in the Hungarian countryside, I’m going to jump into (ha ha…) a more complicated daylight image that I created. This image, like anything in architectural photography, contains quite a bit more than meets the eye, and utilized many different techniques to put together a visually harmonious image.

How I Photographed This Contemporary Home in the Hungarian Countryside

György PalkóJuly 29, 2019July 29, 2019 2

My name is György Palko, and I’m an architectural photographer based in Hungary. For my first post on APA, I’m going to share how I edited one of my favorite twilight images. To perfect this image, I used a wide range of techniques including exposure blending, color correction, cloning and sky replacement.