György Palkó

STAFF WRITER

Based in Ajak, Hungary, I am a father, husband, and architectural photographer - these three "roles" fills my entire life. When I'm not with my family, you can find me photographing architecture, cheering for AC Milan (have been a fan since birth!) or out for a run.

Post-production From Start To Finish: Step 1 – File Organization and Importing

A new year gives us all an opportunity to rethink our processes and see if we are doing the tedious back end parts of our jobs in the most efficient way. In 2018, I started a new — and more organized — system of organizing my files, and so far it has been working out really well for me. Data storage and file handling is usually incredibly personal and changes from person to person, so just remember, there is not one single right way to do it.

Lightroom’s HDR Merge in Depth

In my previous article, I admitted to both using Lightroom’s HDR function and showing that it’s a viable solution for professional architectural photography. There are many benefits to post processing with this technique, because what you end up with is still a RAW file, you can play with white balance, shadows and highlights exactly like on a single capture, but with the extended dynamic range offered by a blended HDR file.

When Your Lenses Just Aren’t Long Enough, it’s Time For an Extender

There are many situations where the 24mm TS (Nikon or Canon) — our standard lens for architectural photography — isn’t quite long enough. Maybe you want to make a detailed vignette. Maybe you’d like to hide the side of a building which doesn’t look so great. You may need to do the opposite and highlight something important that requires a different focal length than 24mm.