A little over a year ago Mike Kelley, the head honcho, and big cheese at AP Almanac lost against Lee Morris in an architectural photography challenge. This was a huge surprise and an upsetting result for many who are fans of Kelley. This year they decided on doing a similar contest to see who is, in fact, the best architectural photographer between the two.
Cameras like the Phase One XF system and the Hasselblad H6D offer some the largest commercially available digital sensors currently on the market. Generally speaking, larger sensors tend to offer better image quality; this isn’t explicitly true but for the most part, it’s what most people experience.
As architectural photographers, the main types of lenses we use are tilt-shift lenses. They’re simply incredible for the kind of work we do and the control they offer make them indispensable. The main issue with these lenses, however, is the fact they cost quite a lot of money especially if you’re aiming to have the full set.
Tilt-shift lenses are by far my favorite types of lenses; they offer so much versatility, especially when you’re shooting architecture… I wouldn’t shoot with any other type of lens! However, up until recently I had never actually compared the results you can produce with a dedicated tilt-shift lens vs correcting distortion from a conventional lens in post.
Although I do enjoy speaking about cameras, lenses, and technology, they don’t necessarily help with improving your photography. There are only three things that really matter in an image and they are, composition, lighting and, use of color. of the three, composition is king.
In my opinion, there is nothing more important than composition.
For architectural photography, I highly recommend you buy and use a tilt-shift lens. Personally, I prefer Canon because I firmly believe they make the best. Tilt-shift lenses are brilliant because they allow you to correct perspective; which is extremely important for the kind of work we do.
Starting a career in photography can be very challenging. I know that when I first started as an architectural photographer, I made a fair few mistakes that could have been avoided. Fortunately, those mistakes can serve as lessons for future architectural photographers.1. Shooting With the Widest Available Lens
If you’re a real-estate photographer then shooting with the widest lens ever made might work.
Architectural photography isn’t exactly the cheapest profession to get into. The amount of money that we invest in building this particular kind of business is significantly greater than many other genres of photography. Unfortunately, the current price of tilt-shift lenses doesn’t help very much in this regard.
One of the things that I’ve struggled with as an architectural photographer is managing color. This is especially true when shooting interiors because most interiors tend to have a wide range of different colors and shades. For a long time, I’ve been using the ColorChecker Passport and recently X-Rite released their new version 2; so I decided to cover this subject again.