I have always viewed architectural visualization and architectural photography as two sides of the same coin. They bookend the architectural representation process, the former being created at the very outset, while the latter wraps up the project’s design and construction journey.
In an architectural photography group I’m part of, there are always questions being asked in regards to getting started in architectural filmmaking. Even though I have covered architectural filmmaking through interviews with other photographers, there isn’t anything directed towards architectural photographers who are interested in making the shift to this medium.
Over the past couple of years, I have been following the progress of the Deakin Law Building part of Deakin University in Burwood (Victoria, Australia) which was designed by Woods Bagot. Towards the end of the second lockdown in Melbourne, I had my chance to take a stroll around this building.
What do you get when you bring together a hotel brand known for producing design excellence to traditionally less-traveled locales, a gorgeous, geographically-unique location, and an architecture firm known for designing some of the most extraordinary cultural buildings in the world’s most populous country?
Israeli-Canadian architect, Moshe Safdie, first visited China in 1973. Little did he know then, that nearly five decades later, he would realize one of the largest, most audacious architectural projects not only in China but on the entire planet.
Raffles City Chongqing is the latest city-defining mega-project designed by Safdie, one that has been beautifully captured by Chinese-American filmmaker Jia Li.
It’s incredible to think about what people in the 1920s went through to put food on the table. The title of this video describes how the men in the film risked their lives to build iconic skyscrapers in New York. The likely truth is that they risked their lives for their families and futures and not for New York itself.
As the pandemic brought on by COVID-19 rages on, traveling beyond our city limits (or perhaps even our living rooms) remains an unlikely reality, at least in the short term. Given that many of us are stuck at home, with more free time on our hands than we’re used to, I wanted to share a couple of photographers’ personal projects dedicated to showcasing the role architecture can play in crafting our sense of ‘home.’
Since I have started writing for APAlmanac, discovering how other photographers and film-makers using are motion to create a narrative about architecture has been fascinating. Even the recent ZoomedIn Festival heavily touched on this subject matter as part of their talks.
I could be wrong here, but the way I see it, the market for filming real estate and architecture is possibly more lucrative than its photographic counterpart. For this reason, I think it’s probably a good idea for us photographers to develop our skills related to filming.
Yesterday, in our interview with Art Sanchez, Art recommended learning the basics of videography to help broaden your skills as a photographer, expand the services you offer your clients, and if nothing else, to make behind-the-scenes marketing content for your own business.