Coming off the heels of our recent article sharing Andrew Keithly’s excel macro to help speed up the process of filling out your copyright registration form, I thought it would be prudent to share another video with a more comprehensive breakdown detailing the process of copyright registration (in the US) – a start-to-finish explanation beginning with image prep all the way through the registration process.
Melbourne’s Southbank by Beulah Tower is poised to become the tallest building in the southern hemisphere once completed. The two-tower megadevelopment will eventually rise to 366 meters (1,200 feet) and transform Australia’s ‘garden city.’
The project was born out of an international competition held back in 2018 which was eventually won by a co-authored design by UN Studio and Cox Architecture.
Visualizers and renderers get such bad rap within our industry. Whether that stems from a concern of photographers becoming obsolete or simply ignorance on how much talent and skill some of these creatives possess – I really don’t know. For me personally, I continue to be inspired by how the best visualizers in the game keep pushing the envelope, exploring new ways to showcase their clients’ yet-to-be-built projects.
This latest edition of Story of an Image brings us back to Shanghai as we take a look at an image from a commissioned shoot of Foxconn’s Headquarters building designed by KRIS YAO | ARTECH. The spotlighted image ended up being the final piece of a puzzle to placing the building in its context for the viewer.
There’s a reason Canon’s 17mm TS-E tilt-shift lens has a dedicated spot in so many of our bags. When space is limited, it can be a lifesaver for us architectural photographers. Whether it’s photographing a bathroom in a tight space, or a high-rise building in a dense urban city center, this lens has proven invaluable to me on many occasions.
As we approach the twentieth anniversary of the attacks carried out on September 11th, 2001, I continue to be affected by the ability of architecture to encourage the public’s memory to endure and, in the best examples, help them heal as well. The National September 11 Memorial in New York City is one such example.
One of the many reasons I have enjoyed being an ex-pat in Asia is the abundance of markets you can find throughout the region. Whether it’s the textile markets in India, or the fish markets of Japan, or the floating markets found in Southeast Asia, they make commerce fun, and visiting one is a great way to get a glimpse of the local culture, its people, and the items they cherish.
It’s (finally) Olympics time again, and you know what that means – it’s time to talk Olympics venue architecture – a topic fraught with divergent opinions on whether or not it makes sense to hold the games (and thus house said games) in a different city every couple of years. The economic and environmental impacts of the games aside, the Olympic Games have given rise to some of the most iconic architecture this planet has ever seen.
This edition of Story of an Image is not necessarily a showcase of how you should go about creating a beautiful image, but rather an exercise in being resourceful if you ever find yourself unprepared and without the proper tools. This is the story of a somewhat random outing in Shanghai which led to the creation of one of my favorite images I have ever taken.
With Independence Day in America having just passed, I was feeling nostalgic when considering what I wanted to share with our audience this month. I decided to go back to my academic roots. Being from the South, I recalled how nearby Auburn University’s Rural Studio, and in particular its visionary co-founder, Samuel ‘Sambo’ Mockbee, were so inspirational to me during my architecture studies way back when.
Icons of the modernist movement, Charles and Ray Eames, taught us to see the world differently. “Eventually, everything connects – people, ideas, objects…the quality of the connections is the key to quality” Charles Eames famously stated. Over their remarkable career, the Eames cultivated a design process where ‘learning by doing’ was their mantra and who vowed to never to delegate understanding.
Shanghai is known for its glitz and glamor – a showpiece city exemplifying China’s thriving economy and emergence as a global superpower. Its iconic skyline defines the city internationally and, compared to some of its ancient counterparts, many of which have rich histories dating back thousands of years, Shanghai is a Chinese city that is sometimes thought of as having little history at all.
For those of us who came to photography after already working in another profession, we know how liberating a feeling it is to finally free yourself from your original job to pursue your passion. Why not take that a step further, and truly zero in and direct all your energy into what it is you enjoy most.
In the middle of last month, Chinese tech company DJI made somewhat of a surprise announcement when they unveiled a new drone – the DJI Air 2S. This unexpected upgrade brings with it a larger, 1-inch sensor able to capture 20-megapixel images and record in 5.4k – specs previously reserved only for larger drones.
The second installment of my recently created Story of an Image series takes us to the western Chinese city of Chongqing – a massive, uninhibited metropolis that most people outside China may not have even heard of. While my previous article took you through my thought process for a non-commissioned portfolio capture, this time we’re on the clock working for global design firm, Woods Bagot, tasked with photographing both the exterior as well as the interior public areas of their Guohua International Financial Center project.
I have always viewed architectural visualization and architectural photography as two sides of the same coin. They bookend the architectural representation process, the former being created at the very outset, while the latter wraps up the project’s design and construction journey.
While I continue to wait (now, somewhat impatiently) for DJI to release the latest edition of their Mavic Pro series, I thought I’d share a video Dezeen produced about the impact drones will have (or perhaps already are having) on our lives and the way we relate to each other across space and the cities we live in.
So you’ve made the decision to pursue your passion for photographing architecture. Fantastic news! Your dreams of hopping from one beautiful building to another, capturing it as only you can, and getting paid for it are about to come true. But you’ve got one major problem – you don’t have any clients.
Sanjog Mhatre is an architecture photographer based in India. Now based in the country’s second-most populous city, Mumbai, Sanjog has at the ripe age of only 23 years, already photographed dozens (132 to be exact!) of the tallest and most significant buildings in this supercity of 20 million people.
Recently I came across a portfolio review video from Rishabh Wadhwa’s YouTube channel, BlessedArch. Together with Mariana Cabugueira Custodio dos Santos, a Portuguese architect working for Zaha Hadid Architects in London, they review and critique architectural portfolios.
While the criteria between an architectural portfolio and a photography portfolio are not one and the same, I believe there are a lot of parallels between the two.