Launched in the summer of 2020, Shelter is a self-described streaming platform for design nerds.
Founded by Australian actor and producer Dustin Clare and his wife, Camille, the couple describes Shelter as being part of the next wave of streaming. Rather than casting a wide net focusing on general entertainment (e.g.,
DJI released the Mavic 3 back in November of 2021. This next iteration of their flagship drone brought with it a ton of upgrades users had been eagerly waiting for since its predecessor, the Mavic 2 had been released three years prior. We wrote a series of articles about this much-anticipated release, including two fantastic deep dives by my fellow APA writer György Palkó that you can find here and here.
In my previous article on beginning your journey into architectural filmmaking, we weighed the pros and cons of delving into offering video services to your clients. If you’ve decided that pursuing motion work is indeed the direction that you want to follow, let’s now identify and explore the initial steps you need to take in order to execute your first architectural video.
Last year my fellow writer, Veeral, put together a fantastic article entitled, ‘Getting Started in Architectural Filmmaking’ which focused on the new opportunities the medium provides and showcases some beautiful examples of videos that take a more sophisticated and minimalist approach to capturing architectural space.
Last month Louis Vuitton’s creative director, Nicolas Ghesquière, unveiled his 2023 Cruise Collection at one of America’s most iconic architectural locations, the Salk Institute designed by the legendary architect, Louis Kahn. The first event of its kind to be hosted at the Salk Institute, the building’s travertine courtyard was converted into a temporary runway for the event.
This edition of Story of an Image takes us to central China to photograph a large-scale mixed-use development designed by global architects, Woods Bagot. We ended up staying on site for four and a half days to capture this skyline-defining project.
While much of the world is learning to live with the virus, China is continuing to pursue its zero-COVID policy which has seen varying levels of lockdowns across the vast country. None more severe than the one taking place in Shanghai right now, where nearly all of its 26 million residents remain stuck at home in a lockdown that has made headlines across the globe.
As I sit here about to enter the fourth week of mandatory stay-at-home lockdown in Shanghai, I have had a lot of time to think about where I am in my career as a photographer and inevitably, scroll through social media to compare where my perceived competitors are as well.
Dubbed one of the most important chairs of the 20th century, the Cesca chair quickly became a design icon, showcased in museum collections and movie sets across the globe.
Born out of the German art school, the Bauhaus, Marcel Breuer conceived of the chair (then called the B-32) in the late 1920s.
Last year I wrote an article entitled, Architecture Versus Photography as a Profession: 5 Takeaways a Year After the Transition that summarized some of my initial observations between working as an architect and then a photographer. Since then, several of my architect friends and former colleagues have told me that they felt the article leaned a bit towards photography as my preferred profession.
This edition of Story of an Image keeps us here in Shanghai and takes a look at a building that people seem to either love or hate: Tian An 1000 Trees designed by London-based Heatherwick Studio. This is the story of an image that was actually taken while on assignment to film the project.
As architectural photographers, we are not wanting for options to get our work recognized. Awards for architectural photography are abundant, with new contests seemingly popping up each year.
Last year was the first year that I decided to submit some of my work to these competitions.
Behind-the-scenes content is some of the most enjoyable and informative to consume in my opinion. I love seeing how other photographers go about their business and find this is a great way to quickly pick up new ways of working that I may be able to incorporate into my own work.
One of my goals for the new year is to endeavor to figure out what the heck an NFT is, and how, if at all, it could affect or benefit my work as a photographer. As luck may have it, a serendipitous scroll through my Instagram feed led me to a recent article on the subject by one of our favorite photographers here at APAlmanac, our good friend Peter Molick.
Like all of you, I am constantly trying to push myself to improve as a photographer. Honing our craft is paramount to our continued success and part of the fun of our profession. With that in mind, this year I am looking forward to sharing ideas and techniques that have aided me in my ongoing pursuit of perfection.
After a longer than expected wait, DJI has unveiled the newest iteration in its flagship drone series – the Mavic 3, a release that pushes their Mavic line into the professional realm. I wasn’t able to get my hands on one before writing this article, but I will be renting one later this month and plan to report back with my own personal experience on how I think this drone stacks up to the Mavic 2 Pro and the Air 2s.
Coming off the heels of our recent article sharing Andrew Keithly’s excel macro to help speed up the process of filling out your copyright registration form, I thought it would be prudent to share another video with a more comprehensive breakdown detailing the process of copyright registration (in the US) – a start-to-finish explanation beginning with image prep all the way through the registration process.
Melbourne’s Southbank by Beulah Tower is poised to become the tallest building in the southern hemisphere once completed. The two-tower megadevelopment will eventually rise to 366 meters (1,200 feet) and transform Australia’s ‘garden city.’
Visualizers and renderers get such bad rap within our industry. Whether that stems from a concern of photographers becoming obsolete or simply ignorance on how much talent and skill some of these creatives possess – I really don’t know. For me personally, I continue to be inspired by how the best visualizers in the game keep pushing the envelope, exploring new ways to showcase their clients’ yet-to-be-built projects.
This latest edition of Story of an Image brings us back to Shanghai as we take a look at an image from a commissioned shoot of Foxconn’s Headquarters building designed by KRIS YAO | ARTECH. The spotlighted image ended up being the final piece of a puzzle to placing the building in its context for the viewer.