Opinion

How to Use HDR and Get Away With It

How to Use HDR and Get Away With It

by György Palkó
HDR has become a dirty word in professional architectural photography. We’ve all seen the over-processed HDR real estate photos where the colors and tones are off, and everything looks crispy and awful. Don’t get me wrong; tasteful HDR like the work of Trey Ratcliff as an artistic choice, now that can be cool.
Thinking Beyond Beautiful Imagery: The Architectural Photographer’s Role in Documenting a Changing Urban Landscape

Thinking Beyond Beautiful Imagery: The Architectural Photographer’s Role in Documenting a Changing Urban Landscape

by Veeral Patel
At the start of 2019, one of my goals was to understand the nuances of architecture. More specifically, to understand the social issues around architecture in the urban environment. As a photographer who has been photographing architecture and interiors for a few years, I have been absorbed by the prettiness of my chosen discipline yet unaware of the social implications of architecture.
Has the Fujifilm GFX Redefined Medium Format?

Has the Fujifilm GFX Redefined Medium Format?

by Usman Dawood
Fujifilm is currently my favorite camera company within the photography industry. I find that they’re one of the very few companies that properly pushing the boundaries and delivering feature-filled cameras at very reasonable prices. The Fujifilm X-T3, for example, is incredible value for money.
When Your Lenses Just Aren’t Long Enough, it’s Time For an Extender

When Your Lenses Just Aren’t Long Enough, it’s Time For an Extender

by György Palkó
There are many situations where the 24mm TS (Nikon or Canon) — our standard lens for architectural photography — isn’t quite long enough. Maybe you want to make a detailed vignette. Maybe you’d like to hide the side of a building which doesn’t look so great.
The 60mp Sensor in the Sony a7R IV Is Still Not Enough for Architecture

The 60mp Sensor in the Sony a7R IV Is Still Not Enough for Architecture

by Usman Dawood
I can appreciate that many of you may assume I’m simply trying to trigger photographers with this article and its “clickbait” title. That is honestly not my intention because I firmly believe in what I’m about to discuss and I’m going to explain why I think what I do.
What’s Your Excuse for Not Mastering the Pen Tool?

What’s Your Excuse for Not Mastering the Pen Tool?

by Mike Kelley
It’s 2019, y’all. There is no excuse for not knowing how to use the pen tool in Photoshop. It’s an absolutely essential part of any retouching workflow for architecture photographers and I still know lots of people who struggle with it, even though it’s as easy as pie.
How To Negotiate Better Prices with Prospective Clients

How To Negotiate Better Prices with Prospective Clients

by Usman Dawood
When I first started as an architectural photographer, one of the things I really struggled with was pricing. This seems to be a common thread for many creatives as it can be very difficult to objectively self-assess your talent, experience, and therefore, value.
Loupedeck: Is it Helpful for Architectural Photographers? Maybe…

Loupedeck: Is it Helpful for Architectural Photographers? Maybe…

by Usman Dawood
For me, one of the more boring and monotonous things I have to do is post production. Don’t get me wrong, I really enjoy producing the results, it’s just the basic things I need to do for almost every image before it’s ready to be properly edited in Photoshop that drag me down.
Should You Use Artificial Light for Architectural Photography?

Should You Use Artificial Light for Architectural Photography?

by Mike Kelley
Yes, no, maybe so! There are so many specific use cases and I get asked nearly daily. "Why did your style change?" "Did you use lights on this?" "Wow I love this natural style you're using nowadays" "Why don't you shoot like you used to?"
Is Medium Format the Best Option for Architectural Photography?

Is Medium Format the Best Option for Architectural Photography?

by Usman Dawood
Cameras like the Phase One XF system and the Hasselblad H6D offer some the largest commercially available digital sensors currently on the market. Generally speaking, larger sensors tend to offer better image quality; this isn’t explicitly true but for the most part, it’s what most people experience.
This Cheaper Lens could be a Better Alternative to the Canon 17mm Tilt-Shift

This Cheaper Lens could be a Better Alternative to the Canon 17mm Tilt-Shift

by Usman Dawood
As architectural photographers, the main types of lenses we use are tilt-shift lenses. They’re simply incredible for the kind of work we do and the control they offer make them indispensable. The main issue with these lenses, however, is the fact they cost quite a lot of money especially if you’re aiming to have the full set.
Tilt-Shift Lenses vs Fixing it in Photoshop: Which is better?

Tilt-Shift Lenses vs Fixing it in Photoshop: Which is better?

by Usman Dawood
Tilt-shift lenses are by far my favorite types of lenses; they offer so much versatility, especially when you’re shooting architecture… I wouldn’t shoot with any other type of lens! However, up until recently I had never actually compared the results you can produce with a dedicated tilt-shift lens vs correcting distortion from a conventional lens in post.
Four Quick Tips to Help You Improve Your Composition

Four Quick Tips to Help You Improve Your Composition

by Usman Dawood
Although I do enjoy speaking about cameras, lenses, and technology, they don’t necessarily help with improving your photography. There are only three things that really matter in an image and they are, composition, lighting and, use of color. of the three, composition is king.
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