A resource for working professional photographers and design industry professionals featuring news, commentary, equipment resources, and original articles
I was recently talking to my mother and she said she was enjoying the blog – what was it called? Apple-maniac? Damnit, mom! And she’s not alone – I’ve had a few people bring it up in conversation, so I want to pose a couple questions to our excellent readership and settle the most important debate of our time.
A recent article by Lexi Taciak discussed how we finally have the perfect podcast for architectural photographers, and the latest guest on the BAAM podcast was none other than APA’s founder Mike Kelley himself – and the insights he provides are invaluable.
Personally I enjoy listening to a podcast while I edit or write articles.
It seems near-constantly that we are asked for ‘all rights’ to the photographs, or to own them in ‘perpetuity’ for some reason or another, but a recent e-mail exchange I was a part of presented a perfect opportunity to share one way I ensure my clients have the license they need while at the same time not giving in to overreach and a loss of image rights.
Barry MacKenzie is a tour de force player in the Architectural Photography / Interiors game. Chances are, you’ve seen him on the PROEDU tutorials, at his workshops with Tony Roslund, or heard him lately in his role as co-founder and host of our favorite new podcast, BAAM.
All of Barry’s work is incredible, and there could be a POTW on each project of his, but I’m pretty taken by a short and sweet shoot he did for Hedgeford and Berkley.
As architecture photographers, it is our job to have a solid understanding of architecture. I recently taught a workshop to a group of aspiring photographers and when I asked “who is familiar with the work of Richard Meier? Zaha Hadid?” a shockingly low number of hands went up – which tells me we have a problem here!
I recently had the opportunity to chat with one of my favourite fellow Melbourne based photographers, Dave Kulesza, about his journey into photographing interiors and architecture which transpired through a home renovation project. Dave’s fascinating career has evolved on his own terms, culminating in a solo show featuring his project DPRK: The Colors of North Korea.
BPN Architects’ Ghost House has been causing a ruckus across the architecture industry, winning awards and being picked up by publications; and rightfully so because it’s so stinkin’ cool! As-Cast concrete, huge windows, modern lighting, and bold symmetry make this house worthy of Project of the Week.
HDR has become a dirty word in professional architectural photography. We’ve all seen the over-processed HDR real estate photos where the colors and tones are off, and everything looks crispy and awful. Don’t get me wrong; tasteful HDR like the work of Trey Ratcliff as an artistic choice, now that can be cool.
On edit days when I’m glued to my desk, unable to sit in silence, I cruise through entire discographies of music by the bushel. In an attempt to harness the time I’m sitting still, and actually learn something, I’ve turned to podcasts. It seems though, that there’s an endless amount of things to do at my desk and a finite amount of genuinely good content to consume.
In 2009, Våler Kirke (Vaaler Church for us English speaking folk) was lost to a fire. Mourned by the Norwegian town, a global competition was opened up for the church’s reconstruction. Architect Espen Surnevik was the victor and created the new design for the church which honors its heritage while putting a modern spin on the “rebirth” of the original structure from 1805.
A group of high-profile architecture visualization professionals have banded together to ensure that they are properly credited when their work is disseminated throughout the architecture and media world at large. A problem that many photographers are also familiar with, for years, architectural visualization artists have found their work has gone uncredited when those assets are so vital to getting architecture projects off the ground.
Late last year, I was in Auckland, New Zealand, visiting a few architectural firms as I was interested in exploring opportunities across the Tasman. One of the firms, Patterson Associates, had been on top of my list because of their incredible residential projects located in some of the most picturesque coastal locations in the country.
Architects, interior designers, developers, and hotels don’t just exist in big cities, and neither do architectural photographers. I personally know photographers everywhere from the biggest cities in the world to remote and desolate areas, and they all have different definitions of success – but one thing is for sure and that is they are all making a healthy living at it, although using different methods and approaches.
On this episode of Project of the Week, we delve into an exploration of how light changes over the course of a day, and its effects on the mood of architectural photographs. Photographer Luis Gallardo of LGM Studio is showing us how it’s done through his photos of Casa H by Weber Arquitectos.
T asks: Does a photographer HAVE to shoot real estate to get into architecture? I have a wedding photography business that has produced a six-figure income five years in a row so I don’t need real estate to pay the bills. However, I definitely want to move out of weddings and into full-time architecture over the next, let’s say, 5-10 years.
In this edition of Three Links I Love: Adobe, the New York Times, and Twitter have partnered to attempt to solve an ages-old problem plaguing artists everywhere. A wonderful article from the NYT about how to give advice that actually matters, and Ezra Stoller’s new monograph hits the shelves.
For the last four or five years, I have tried to produce one annual workshop for aspiring architecture and interior photographers. While I hope that they are technically helpful and the students come away with new skills and knowledge, one thing that I’ve noticed is that every year each workshop inevitably transforms into a session of group therapy for all involved.
Helsinki, Finland. A place riddled with funky architecture and rich design. Heck, there’s even a great band named — well — Architecture in Helsinki. This week we dive into a great piece of modern Nordic design by ALA Architects’. Enter, the Oodi Library. This relatively new yet iconic building has been the star of many photographs, but one architectural photographer, in particular, made me really fall in love with it.
I have been following Anjie Blair’s work on Instagram for a couple of years and have been lucky to witness her career and work evolve into something that could be described simply as magnificent. Anjie hails from a wonderful part of Australia called Tasmania, and today we talk to Anjie about from losing her dream job, finding her way into photography and now transitioning into architectural & interiors photography.
I never thought I’d type the words “competition heats up in tiny geared head market” but alas, competition is heating up in the tiny geared head market. In a space that has been dominated by Manfrotto and Arca Swiss for, as far as I can tell, decades, new competitors are beginning to pop up – one of which is Chinese company LeoFoto, who recently announced their G2 geared head which seems to be a direct shot across the bow of Arca Swiss.
Mike Kelley
Usman Dawood
Lexi Taciak
Veeral Patel
György Palkó