Buckle up because photographer Rafael Gamo is taking us to Mexico for this week’s featured project. Situated smack dab in the middle of the Tlalpuente Forest of southern Mexico City, we’ll find the Tlalpuente house by PPAA Architects. According to PPAA, the house has no neighbors and was built to capitalize on the 360-degree view of the trees and landscape encircling it.
Beloved British Baking Show Contestant YouTuber Tom Scott is known for his short, humorous, informational videos covering everything from sending garlic bread into space to navigating the interior of the brain with neurosurgeons. In one of his most ambitious projects to date, Tom Scott tackles a topic that is close to the hearts of every artist: copyright.
There are two categories of photographers in the world—those whose work has been infringed, and those whose work will be infringed. Sooner or later, it’s almost certain that it will happen to you. You’ll be casually scrolling through your social media feeds, or maybe researching a potential client’s website, when suddenly, you pause in disbelief as the reality sets in: your work has been used without your prior knowledge or permission.
I photograph a lot of homes for a lot of different clients with a lot of different end uses for those photographs. While in a perfect world I’d get a photo credit every time my work was submitted, sometimes that doesn’t happen and it’s up to me to get it fixed. Whether or not you think photo credit is important (it is, don’t @ me), you should always have any errors or omissions in credit resolved as soon as you can.
Now that this Project of the Week has made its debut with Dwell, we can introduce this gem to you! Behold, The Netsch Residence, built in 1974 by renowned architect Walter Netsch, and freshly remodeled by Skidmore, Owings & Merrill. This spirited and complex space was photographed by the wonderful architectural photographer, Dave Burk, our featured photographer this week.
As you may know, I’m not shy about megapixels. For architectural photography, I prefer more resolution over less. There are several reasons for this and it’s mostly down to flexibility; with a higher resolution camera you have more flexibility when it comes to post production, printing, cropping, and scaling.
Le Corbusier is one of my favourite 20th century architects not only for his brutalist architecture and how he integrated surrealism into his work as well. Even to this day his work continues to be revered by many Le Corb fans the world over. One of his most ambitious yet important project was the Chandigarh Capitol Complex project which came to fruition at the request of then Indian Prime Minister Jawaharlal Nehru.
I think it’s safe to say that the current pandemic sucks for everyone involved. Short of toilet paper manufacturers, pretty much everyone on planet earth is dealing with ramifications and fallout of the ongoing…issue. A few days ago I asked a group of photographer colleagues how they were being impacted, and received a wide range of responses and opinions.
This is probably the hippest thing I’ll ever say in my life, but if you’re into the San Diego brunch scene AND an architectural photographer, this Project of the Week by Zack Benson is your Holy Grail.
As a professional airport architect, HOK‘s Peter Ruggiero designs airports for a living, and he has been hard at work for years to improve New York’s most notorious, and Joe Biden’s favorite airport, LaGuardia. So what actually goes into optimizing the design of an airport terminal? This incredible video walks us through the wildly complex process.
Years ago when I first started exploring architectural photography as a career option, I had come across the work of Jeffrey Totaro on Arch Daily and was immediately fascinated with his gorgeous compositions and technical expertise. Hailing from Pennsylvania, his name is synonymous with the American architecture scene; he’s been photographing iconic architecture longer than most of us have been able to discern light from dark.
San Francisco photographer Peter Lyons has been working all over the Bay Area for years now, and since the advent of cameras using built-in GPS, he’s geo-tagged nearly every photo he’s taken. Peter recently shared a screen shot of his work history and I was blown away.
As far as I’m concerned, Peter embodies the image of a classic working photographer.
Today, I jump into a large 3-part question that I have strong thoughts on.
New Zealand and Australian friends, listen up! APA’s Kiwi crush Simon Devitt is hosting one of his renowned workshops at the Auckland Art Gallery Toi o Tamaki on April 19th, 2020. This is a great opportunity to hear Simon speak on his photographic processes, learn to make evocative images, and convey the feelings of a space.
For the first few years of my career as an architectural photographer, I swore by Adobe Lightroom. In my experience, Lightroom has been incredibly useful for going through a large batch of images, but it doesn’t quite keep up with Capture One’s refined controls, so I started looking at Capture One as an alternative.
I came across Marcus Stork on Instagram and was immediately drawn in by the quality of light and depth of his compositions. Marcus’ photographs have a delicate and quiet air about them and include that effortless Scandinavian styling that is just so beautiful to look at. One particular series that I love is this week’s featured project designed by Stylingbolaget.
BAAM Podcast has broken its radio silence with a beautiful episode featuring one (er…two) of my favorite architectural photographers, Doublespace Photography. After a brief hiatus for technical and personal reasons, the podcast is back in full force and chock full of free knowledge.
One of the best things about living in Australia is the plethora of opportunities available to truly pursue what you want and Martin Siegner is no exception. Martin came to Australia a few years ago as an architectural visualization artist and felt unfulfilled. With no plan B in place, he gave up his visualization career and started photographing architectural projects around Sydney for his own portfolio which quickly saw him working with some of the most prominent architectural firms in Australia.
Since the beginning of my photography career, I’ve had a list of projects that I dreamed of shooting. While most of the projects were out of my reach at the time, as my career has grown, buildings on my “dream assignment” list have become more accessible — while my goal list has grown! If you are in love with photography and architecture, I think you can agree that your list of dream projects and clients will always be growing and evolving.