If you’re a professional photographer, sooner or later you’ll come across the opportunity or be asked by a person/business (outside of one that initially hired you) for access to one or more of your photos for their marketing use. This is typically the first step in the process of licensing your work as a photographer.
LG Asks: I am an architectural photographer just starting out my business. I have downloaded the APA contract template as well as read articles about licensing. I had a question in regards to renewing a license. For example, when I photograph for a client and all goes well and licenses photos to the client for 5 years.
This weeks featured project comes to us out of Central London. Panayis Chrysovergis photographed this unique private residence, and I’m excited to share all of its bold graphic qualities, leading lines, and interesting textures with you. Let’s jump in!
Right off the bat we see this home’s contemporary interior is steeped in rectilinear shapes and full of punchy black / white contrast.
One of the most overlooked features of RAW processing software is the ability to create masks based on color values. Lightroom has recently introduced Range Masks, a feature that I constantly use on my edits. As a response, Capture One has come up with a new feature in the latest software update: the Magic Brush.
One of the many reasons I have enjoyed being an ex-pat in Asia is the abundance of markets you can find throughout the region. Whether it’s the textile markets in India, or the fish markets of Japan, or the floating markets found in Southeast Asia, they make commerce fun, and visiting one is a great way to get a glimpse of the local culture, its people, and the items they cherish.
Simon Devitt makes it hard not to be romantic about architecture…and art…and really, the world.
He speaks less like someone telling his process, and more like a man speaking poetry — divulging a riddle that is the secret to life itself.
In a way, it is.
There is no talk of camera kits or CaptureOne vs Lightroom or setting up compositions, but instead, how to be.
It’s (finally) Olympics time again, and you know what that means – it’s time to talk Olympics venue architecture – a topic fraught with divergent opinions on whether or not it makes sense to hold the games (and thus house said games) in a different city every couple of years. The economic and environmental impacts of the games aside, the Olympic Games have given rise to some of the most iconic architecture this planet has ever seen.
Peter Marko’s latest project is simply amazing. The shoot spanned two days on location but took months in the making because of permitting, weather, and of course, Covid related lockdowns. Armed with three cameras, a slider, a gimbal, a drone, zero assistants, and no brief from the client, Peter crafted this beautiful film of TERROIR’S Penguin Parade Visitor Center.
One of the most common forms of Copyright Infringement we come across as photographers is our images being on certain social media accounts or pages without our permission. Oddly enough, when the issue is even politely brought to the attention of the infringing account, the photographer can sometimes receive indifferent or even rude pushback.
Outside of Melbourne in the Yarra Valley sits an extraordinary venue that does it all. The sprawling 400 hectares of TarraWarra consists of two entities, the TarraWarra Museum of Art, and the TarraWarra Estate — consisting of a winery, restaurant, and cellar door.
Melbourne-based architectural photographer Fergus Floyd set about photographing TarraWarra as a personal project in 2019.
As architecture photographers, we love to talk “gear” don’t we? As a newbie, we may tend to think we need to purchase a massive amount of gear in order for our photos to even look presentable. When we meet other photographers, a default go-to conversation starter is “so what do you shoot with?”.
Dennis Radermacher — our 3D printing hero, and Project of the Week star — has constructed a bit of a different gift to the architectural photographer community today. Weighing the pros cons of working with an assistant, Dennis delves into the nitty-gritty of shooting solo and why it works best for his architectural photography workflow.
Today’s featured project takes us to Moscow, Russia where we’ll be checking out VOX Architects‘ World Class Alekseevskaya. World Class has some…ahem…world class photographs by architectural photographer Sergey Ananiev.
Sergey’s images all sport an ultra-clean and tidy look while still maintaining a sense of realism as mood.
This edition of Story of an Image is not necessarily a showcase of how you should go about creating a beautiful image, but rather an exercise in being resourceful if you ever find yourself unprepared and without the proper tools. This is the story of a somewhat random outing in Shanghai which led to the creation of one of my favorite images I have ever taken.
I recently received a call from Martijn Koetsier, a SEO expert with whom I have regular contact. In order to broaden his horizons, he had decided to spend a day every now and then this year with someone who does something completely different from him. Martijn wanted to know if he could join me on a shoot day.
When I see Dennis Radermacher of Lightforge Photography‘s name pop up in my notifications, I know it’s going to be a great day. Dennis — an architectural photographer based in Christchurch, NZ — is usually sending the APA crew his latest and greatest 3D printed creations. This time around though, my inbox contained a newsletter from Dennis showing off his recent projects.
With Independence Day in America having just passed, I was feeling nostalgic when considering what I wanted to share with our audience this month. I decided to go back to my academic roots. Being from the South, I recalled how nearby Auburn University’s Rural Studio, and in particular its visionary co-founder, Samuel ‘Sambo’ Mockbee, were so inspirational to me during my architecture studies way back when.
Canon has just officially announced the RF 14-35mm f/4L IS. This new lens brings ultra-wide capabilities at 14mm and native compatibility with Canon’s popular R-series cameras.
At $1,699 and 544 grams, it’s a cheaper, lighter and slightly wider alternative to Canon’s other RF wide angle zoom lens, the 15-35mm f/2.8L IS (priced at $2,299 and weighing 840 grams.)
This week’s featured project is a real beauty by Seattle-based architectural photographer Rafael Soldi. We’ll be checking out his dreamy photographs of Beach Drive by Revolve Development. Rafael has been kind enough to share so much about his process and this lovely shoot, and I’m excited to share his intel and work with you all.
Have you ever thought about the accuracy of GPS data? I actually didn’t, until I was commissioned to take a photo of a particular place before any work was done, and a photo from the same exact vantage point after the place has been renovated. Would that even be possible? I didn’t know, but I responded with my standard answer “Sure, no problem!”