Meet my new friend Radek Úlehla, an architectural photographer from Prague. Radek instantly made me feel old, as he is just a spry 26, but then made it up to me by telling me how punk this shoot was — traveling far, fighting the weather, and inevitably getting kicked out by security. It’s a great story with great images, which I appreciate.
Venus Optics is very well known for its line-up of niche macro and ultra-wide lenses. Their newest lens release is certainly no different.
The new Laowa 15 mm f/4.5 Zero-D Shift is a long-awaited lens and it is one interesting option (I would say) for mirrorless shooters as the market options for mirrorless shift lenses are pretty scarce.
Almost every client of mine asks for the same thing; “let your images show how my spaces are used!”
Architectural photographs must be brought to life. It is something that we photographers have to do subtly because people have to add a ‘usage dimension’ to the image and should not become the main subject.
While it maybe wasn’t as great for backing up photos as it was for compressing them, Google Photos was a perfect platform to use as an easy-to-access online portfolio that was always in your pocket. I was using it extensively, not just for sharing the photos from photography trips with my friends, but also to send images to my clients for fast reviews before the final delivery.
The second installment of my recently created Story of an Image series takes us to the western Chinese city of Chongqing – a massive, uninhibited metropolis that most people outside China may not have even heard of. While my previous article took you through my thought process for a non-commissioned portfolio capture, this time we’re on the clock working for global design firm, Woods Bagot, tasked with photographing both the exterior as well as the interior public areas of their Guohua International Financial Center project.
It seems like more than ever, architectural photographers are battling copyright infringement, ignorance towards licensing, and confusion over usage rights — not to mention the dreaded “but this will be great exposure” remark.
On Wednesday, April 28th 2021 at 7:00 pm BST (2:00 pm EST) Mass Collective in collaboration with VIEW Pictures will be hosting an online talk discussing the importance of licensing and contracts in the photography business.
On a Sunday morning back in the fall, I was paging through Dwell, scouring it for ideas to inform my own home remodel, and came across GRT Architects Dutchess County, which is a gorgeous piece of architecture. The only thing I loved more than the house though, was its photographs, expertly crafted by New York based photographer Brian Ferry.
James Turrell is an American artist recognized for his work with light and space. This LACMA (Los Angeles County Museum of Art) produced documentary shares his personal background and experiments with light as a medium that creates spaces and alters perception. It also gives a short virtual tour of his works, from small rooms called Skyspaces to the ongoing project of a naked-eye observatory within an extinct volcano; Roden Crater.
Catalin Marin of Momentary Awe is back on Project of the Week with another extraordinary set of images of an epic building! Today we’ll be checking out his photographs of Foster and Partners The House of Wisdom.
He kicks things off by telling us “Sharjah, one of the UAE’s seven emirates has been investing heavily in cultural institutions in the last few years and in 2019 held the UNESCO World Book Capital title.
I love when I see Dennis Radermacher’s name in my inbox because it means he has conjured up another brilliant 3D printed solution to one of the many small frustrations we photographers run into.
For those of us who have made it part of our workflow, I think we can all agree that the Camranger platform is incredible and powerful, but leaves something to be desired when it comes to —well—where to put it.
I have always viewed architectural visualization and architectural photography as two sides of the same coin. They bookend the architectural representation process, the former being created at the very outset, while the latter wraps up the project’s design and construction journey.
Today we’re taking a little trip to where no Project of the Week has gone before — Greece! I’ve had my eye on the incredible work of Athens-based architectural photographer Ioanna Roufopoulou for quite some time now, and am excited to share this series with you.
Let’s jump in and check out Ioanna’s photographs of a gorgeous villa perched upon a hill in Syros, Greece for block722architects.
It’s no news that we’ve all been subjected to various levels of lockdown thanks to COVID-19. Restrictions on routine activities have given many of us plenty of time to learn new skills and techniques.
APA reader Roy Engelbrecht used his spare time in the pandemic to try out exposure stacking to satisfy a particular client request.
When I was a baby architecture writer, a thousand years ago, I remember spending what felt like the majority of my work time asking my editors who’d commissioned stories, or publicists who were pitching me projects, or architects who’d decided to see if I might want to write about something, to send me pictures.
In an architectural photography group I’m part of, there are always questions being asked in regards to getting started in architectural filmmaking. Even though I have covered architectural filmmaking through interviews with other photographers, there isn’t anything directed towards architectural photographers who are interested in making the shift to this medium.
We’re shaking things up this Project of the Week with a very cool series put together by photographer Nikola Olic. Nikola is a Serbian photographer living in Dallas, Texas, and has compiled a project in which architectural photography is combined with “abstract structural quotes that reimagine their subjects in playful, dimensionless and disorienting ways.”
How do I start this? The question has been haunting me for weeks now. First, I want to thank you for the many great responses to the previous chapter of this series. In my last article, you saw my process for achieving a large number of images for at least four different clients — taken care of all in the same shoot.