It’s 2019, y’all. There is no excuse for not knowing how to use the pen tool in Photoshop. It’s an absolutely essential part of any retouching workflow for architecture photographers and I still know lots of people who struggle with it, even though it’s as easy as pie. If you haven’t mastered it already, I’m going to show you how you can learn it inside and out in one hour or less.
We have arrived at my third and final image in this series, and this time, we’re photographing an interior. In the first two articles, I showed how I create twilight and daylight exterior images. To create this image, I used just a handful of techniques, such as blending different exposures, cloning, cropping and making some color adjustments.
Sydney-based Tom Ferguson ran his own architecture practice for over ten years before deciding to take a leap and switch careers from architect to photographer. With a diverse portfolio that includes top projects from around the world, Tom is truly someone who has crafted a career perfectly suited to his personality and lifestyle.
What do you get when you mix an incredible photographer from Russia with a premier design school in Italy? Nope, this isn’t the start of a joke. It’s this week’s featured project!
The Scuola Politecnica di Design (affectionately known as SPD) is a postgrad design school in Milan, Italy.
NC Asks: If a company never paid me and is using my image, how can I prove that I took the image and how do I decide how much to charge them for each image that they illegally used?
The easiest way to do this (in the United States, at least) is to register your images with the US Copyright Office as soon as is reasonably feasible.
After captivating our staff and readers, Project of the Week veteran James Florio is back on APALMANAC this week for a full-length interview. The Colorado architectural photographer – who formerly resided in Chile – is truly a voyager of the trade. James’ body of work spans the far-reaching points of the globe from Montana to Shanghai and Patagonia to Portugal.
When I first started as an architectural photographer, one of the things I really struggled with was pricing. This seems to be a common thread for many creatives as it can be very difficult to objectively self-assess your talent, experience, and therefore, value. Some photographers charge less than minimum wage and others charge an absolute fortune for just an hour’s worth of work.
Let’s talk renderings.
In the vapid comments section of some blog somewhere, I read an interesting, yet disheartening question: “Are you afraid that renderings will replace the need for architectural photography?”
See? Lame. But also that little part of me that is convinced Skynet is coming for us, gets it.
In part two of my behind-the-scenes series in the Hungarian countryside, I’m going to jump into (ha ha…) a more complicated daylight image that I created. This image, like anything in architectural photography, contains quite a bit more than meets the eye, and utilized many different techniques to put together a visually harmonious image.
Large bold shapes, vibrant colors, perfectly captured repetition, contrast through lighting and color, and a whole lot of texture; This week’s featured project is a shining example of visual hierarchy at work.
In the small Moroccan town of Laayoune lies the Universite Ibn Zohr.
A few weeks ago I met up with the guys from Fstoppers and we released a ‘Critique The Community‘ video focusing on real estate and some architecture photography. For that video, Fstoppers readers submitted images and Patrick Hall and myself sat down and rated them. This time, I wanted to up the ante a little bit and take it more seriously – hard to believe, I know – but I think we made a very informative and helpful video as a result.
What do clothing, music, cars, houses, and architectural photography have in common? They all go through trends; many of them arguably cyclical in nature. Rob van Esch is an experienced architectural photographer based in Amsterdam who recently created the e-book “Trends in Architectural Photography” which focuses on the recent shifts in the way architecture is photographed.
For me, one of the more boring and monotonous things I have to do is post production. Don’t get me wrong, I really enjoy producing the results, it’s just the basic things I need to do for almost every image before it’s ready to be properly edited in Photoshop that drag me down. For a lot of images I still use Lightroom and this is where I find a lot of time is being spent.
Just nine miles south of the razzle and dazzle of Las Vegas lies Henderson, Nevada. This sweeping desert town houses fossils, state parks, and an architectural gem: Ascaya. Although it broke ground in 2004, Ascaya – a luxurious custom home community – screeched to a halt during the recession.
What happens when you are so obsessed with a perfect result that you neglect finishing the piece altogether? What happens when you spend an extra half hour on set perfecting an image only to miss the great light happening elsewhere? Why don’t interior designers ever photograph things at night (they used to!),
I recently teamed up with Patrick Hall from Fstoppers to critique some real estate and architecture images for the once-a-year critique I do with them. These images are submitted by the Fstoppers community and while we focused on and asked for people to submit real estate-based images, I still think that this critique is valuable if your primary interest is in architecture and interiors photography.
Vlad Feoktistov is an emerging talent based in Sochi, Russia, who makes his living photographing homes, hotels, and neoclassical Stalinist resorts, among other things. Vlad’s story is somewhat unique in our field and I couldn’t help but want to share it with everyone. Vlad and his career serve as a reminder that there are opportunities around us no matter where we are located and that architectural photography is a truly global phenomenon.