What do you get when you bring together a hotel brand known for producing design excellence to traditionally less-traveled locales, a gorgeous, geographically-unique location, and an architecture firm known for designing some of the most extraordinary cultural buildings in the world’s most populous country?
From my time spent pouring over various architecture and architecture photography throughout the world (wide web), I’ve noticed that Ukraine has some of the most interesting, rich with mood, and just downright cool projects, especially in the restaurant sector.
One of my new personal favorite Ukraninan photographers is Andriy Bezuglov, who has shared this beautiful project with us.
As I continue to mature as a photographer, I am finding that I learn most from fellow peers who share a more in-depth analysis about a single image – taking us through their thought process in how they constructed the image and why they chose a certain composition or a particular way to light the scene.
Today’s featured project takes us to Quezon City, Philippines where we’ll be checking out a home named Viewpoint House, designed by Jim Caumeron Design. This contemporary beauty was documented by Manila, Philippines based architectural photographer Bien Alvarez. I think you’ll agree that Bien’s photographs highlight the shapely design of this home while showing off the intricacies found within this space.
Close your eyes and think far back. Back before Covid ruined your travel plans. Now go even further back, before Instagram let you geotag your location — heck, even before Instagram itself. Think back to a time when phone cameras were terrible and you had to ration your texts and emails.
Previously I shared a video about six artists to study for architectural photography. Johannes Vermeer, the 17th-century Dutch master, was at the top of that list. More recently I watched “Tim’s Vermeer”, a documentary about one peculiar academic of Vermeer’s work.
The film is about Tim Jenison, his admiration for the photographic quality found in Vermeer’s work, and his (obsessive) quest to reproduce one of Vermeer’s masterpieces from scratch using optical aids.
This week’s featured project is a beauty out of New Zealand by photographer Sam Hartnett. Sam specializes in architecture photography and art documentation, and you’ll notice quickly that he crafts gorgeously composed images that have dramatic and directional light. He is a master of portraying the mood of the homes he photographs, and this project — Cowes Bay House — by Cheshire Architects’ on Waiheke Island is no exception.
Remember that time on Sex and the City when Carrie went to boot up her laptop and got Sad Mac? If you’ve never blown on a Nintendo cartridge or used a pencil to wind a tape cassette, you’re probably too young to remember Sad Mac (actually, you might also be too young to remember Sex and the City, in which case, thanks for making me feel ancient).
Let’s be honest. Many of us spend more computer time than we would like to admit. Having an efficient workflow in the office allows us to free up more time for sessions — plus your eyes and back will thank you for it! In this post, I share three apps that are essential in my in-office workflow.
This project is a perfect example of how the time of day and lighting conditions affect both the mood of your photograph and the appearance of the architecture itself.
The Architecture & Design Film Festival has taken its screening online this year due to covid. Starting November 19th, the ADFF will be presenting their final session of the year. The final session will feature 15 full-length films that come from 13 countries across both hemispheres, including a couple of short films by Jim Stephenson whom I had interviewed earlier in the year.
Qi Xi is a Shanghai-based landscape architectural photographer. He and I met earlier this year at a mutual friend’s art salon where we both presented some of our respective work. Qi has been capturing some of the most significant landscape architectural designs all across China and I absolutely love his work.
The Bridge, Reconstructed is a series by Michael Yuan, a Canadian self-driving car software designer living in San Fransisco, who spends his free hours befriending security guards to photographing the lesser appreciated parts of The Golden Gate Bridge.
What I love about this project is that it boils architecture photography down to its simplest and most pure elements — light and form.
After a Summer hiatus, the BAAM podcast is back with an extraordinary episode featuring one of my favorite photographers, Simon Devitt. BAAM hosts Barry MacKenzie and Andy Macpherson include a particular treat at the beginning of the episode, which is an incredibly insightful introduction by one of Simon’s clients, architect Paul Owen of Owen Architecture.
German photographer, Hans Georg (HG) Esch is one of the world’s most acclaimed architectural photographers. HG Esch lives and works in Hennef / Stadt Blankenberg, Germany, but his work spans the globe, with a particular emphasis on some of the most significant projects in China. So when I saw that he had photographed the recently completed supertall CITIC Tower in Beijing, I knew I wanted to interview him to gain some insight into his process as well as share the gorgeous imagery with our audience.
The Vistula is the longest river in Poland, and today we’re taking you on a little adventure there to check out a gorgeous cabin designed by Kama Czudowska. Warsaw based photographer Nate Cook was invited to stay at the Vistula Cabin, getting to document it throughout varying lighting conditions with little rush on his compositions.
Last weekend, in Gold Coast (Australia), we had the Open House and coincidently, it was the same weekend as the Open House New York and Chicago programs as well. I love the Open House programs as it gives you access to a lot of impressive buildings that generally wouldn’t be open to the general public.
Copyright infringement is a prevalent issue among photographers. There have been several articles on APAlmanac discussing copyright infringements in various forms. I have noticed that whenever copyright is discussed, it is more from the North American perspective rather than an Australian perspective.