Tom Kundig is one of the founders of Seattle-based architectural firm Olson Kungdig. This podcast by Time Sensitive explores one of Tom’s greatest passions, mountain climbing, and how pursuit of the sport helped him become an internationally successful architect. Often when I look at architects who are as accomplished as Tom, I wonder what makes them tick in order to create such stunning architecture (for example, his Hale Lana House in Hawai with the striking cantilevered roof which got a lot of coverage in press this year).
As architectural photography becomes a more popular genre both on and off the internet, the number of people taking part in critiques (whether warranted or not) has exploded. As a member of a number of groups and fora frequented by thousands of architectural photographers from all around the world, I’ve noticed an alarming trend over the past few years.
In my never-ending quest to soak up as much architectural knowledge as possible, I stumbled across this video by one of our favorite YouTube channels, The B1M. While not directly related to architectural photography, the video provides a very interesting insight into the economics and struggles involved when it comes to pushing through landmark developments on the scale of Shanghai Tower, Burj Khalifa, etc – subjects that we’d all love to get hired to photograph.
This week, BH Photo Video is running a special that I actually think would benefit photographers looking to pick up a spare laptop for tethering or who are looking to scoop up a good deal on a pretty powerful computer. With Macbooks as low as $1200, and instant savings of $200 on the brand new 16″ Macbook Pro, if you’re in the market for a new laptop this might be a great time to buy – there are deals of all sorts on a wide variety of Macbooks, so check them out here.
In a previous article, I discussed five mistakes that beginner architectural photographers tend to make. Since then I thought about how I’ve obviously made mistakes since then and although they may not be relatable to beginners there are still lessons one can draw from them. In this article, I decided to discuss some of the worst mistakes I’ve made so far.
We have arrived at my third and final image in this series, and this time, we’re photographing an interior. In the first two articles, I showed how I create twilight and daylight exterior images. To create this image, I used just a handful of techniques, such as blending different exposures, cloning, cropping and making some color adjustments.
In part two of my behind-the-scenes series in the Hungarian countryside, I’m going to jump into (ha ha…) a more complicated daylight image that I created. This image, like anything in architectural photography, contains quite a bit more than meets the eye, and utilized many different techniques to put together a visually harmonious image.
In a contrasting approach to my post about intentionally shooting during bad weather, photographer Heather Conley delivers a great vlog-style narrative video discussing her approach to selecting a shoot day based on weather. Heather is a successful architectural photographer based in Connecticut who has worked for a wide range of clients photographing a variety of project types.
KH Asks: Can you explain how you handle copyright infringement across multiple platforms including social media? It seems incredibly easy for a business to steal work and use it for their gain. I noticed on your personal website there are no watermarks. On IG and anything I’ve seen on FB, no watermarks or copyright symbol within the post.
D Asks: How does one find out exactly who owns / manages a building? Ask your client if they know, or know someone who knows. Failing that, walk inside and speak to whoever is at the front desk. Make up a good story, or tell the truth, depending on the neighborhood you’re in, and get a business card of someone you can contact.