The “Improvisational Approach” – Photographing Architecture In Overcast Weather With Frédéric Blanchet

The “Improvisational Approach” – Photographing Architecture In Overcast Weather With Frédéric Blanchet

Architectural photographer Frédéric Blanchet is taking us on a visual journey to The Old Ottawa City Hall today, for a lovely lesson in photographing architecture in moody overcast weather. Frédéric has plenty of insight into his thought process and shoot day, so I’ll let him take it away!

Frédéric starts off, “The two main guidelines for this photo session were improvisation and an overcast day.

I love improvising when photographing an architectural personal project for several reasons. First, it allows me to capture the true essence of a structure, focusing on the spontaneous interplay of light, shadow, and form that cannot always be planned. This approach often leads to discovering unique perspectives and angles that bring out the character and soul of the building.

Improvisation also encourages creativity and intuition. By stepping away from a rigid plan, I can respond to the environment, weather, and even my mood, resulting in more dynamic and authentic images. It’s a way to break free from conventional techniques and explore the unexpected, often yielding surprising and remarkably powerful results.”

“This fluid method of working helps me connect more deeply with the architecture. Instead of merely documenting, I interact with the space, allowing my instincts to guide the shot. Each photograph becomes a personal expression, a dialogue between me and the structure. This personal touch adds a unique dimension to my work, making it more engaging and reflective of my vision,” he shares.

Frédéric goes on, “Ultimately, improvisation in architectural photography transforms each shoot into an adventure. It’s about embracing the moment, capturing fleeting beauty, and expressing my individuality through my lens. This freedom not only enriches my creative process but also enhances the storytelling aspect of my photographs, making them resonate on a deeper level with the viewers.”

He continues, “I had a great time photographing this architectural project on a predominantly overcast day, which echoes [Mike Kelley’s] invaluable advice for us as architectural photographers to distinguish ourselves by shooting on days other than sunny ones.”

“One of the primary reasons for my enjoyment was the unique mood and atmosphere created by the diffused light of a cloudy day. Unlike the harsh contrasts and strong shadows typical of sunny weather, the soft, evenly spread light allows for a more nuanced and detailed representation of the structure. This type of lighting brings out the textures, materials, and subtle forms of the architecture in a way that is often lost in direct sunlight.

Additionally, the overcast sky adds an element of drama and depth to the photographs. The gentle, natural lighting helps to highlight the interplay of geometry and space in the architecture, creating a more contemplative and serene visual narrative. There’s a certain calmness and intimacy that can be captured, which often resonates more deeply with viewers,” he says.

“Working in less predictable weather conditions pushed me to be more creative and adaptive,” Frédéric explains. “It’s a challenge that stimulates an inventive mindset, where I’m compelled to find new and interesting perspectives that wouldn’t typically be considered on a bright, sunny day. This improvisational approach often leads to discovering unexpected beauty and unique angles.”

He says, “Photographing on cloudy days sets my work apart. It shows a willingness to explore and capture architecture in diverse conditions, providing a broader and richer portfolio. This not only showcases versatility but also demonstrates a deeper understanding and appreciation of the architectural design in varying environments.”

“Let us not overlook the part where I, ever the meticulous photographer, made a valiant attempt to align the geese. Clearly, they had other plans! Despite my best efforts to orchestrate a synchronized goose performance, they decided to express their individuality. Perhaps they wanted to show that even in a world of straight lines and right angles, a little avian anarchy is always welcome.

I love the pictures with the Canadian geese on the building’s roof. The tall, symmetrical building with its clean lines and glass panels appears quite rigid and structured, while the goose adds an element of unpredictability and whimsy to the scene,” Frédéric shares.

He wraps up by sharing “Overall, the experience was fulfilling and enriched my artistic journey, reinforcing the idea that beauty and inspiration can be found in all types of weather.”

A giant thank you to Frédéric for submitting this project in! You can see more of Frédéric’s work at frederic-blanchet.com and over on Instagram @fblanchetphotos.

If you have a project you’d like to be considered for Project of the Week, you can submit it here.

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