This week, BH Photo Video is running a special that I actually think would benefit photographers looking to pick up a spare laptop for tethering or who are looking to scoop up a good deal on a pretty powerful computer. With Macbooks as low as $1200, and instant savings of $200 on the brand new 16″ Macbook Pro, if you’re in the market for a new laptop this might be a great time to buy – there are deals of all sorts on a wide variety of Macbooks, so check them out here.
Warning: This Project of the Week may induce strong yearnings for a beach vacation. Up on this week’s featured project docket is The Surf Club, photographed by architectural and interiors photographer Mike Schwartz.
What I love about this project is the clear progression of time throughout the shoot.
In a previous article, I discussed five mistakes that beginner architectural photographers tend to make. Since then I thought about how I’ve obviously made mistakes since then and although they may not be relatable to beginners there are still lessons one can draw from them. In this article, I decided to discuss some of the worst mistakes I’ve made so far.
As soon as I started writing for APA, I immediately knew one of the people I wanted to interview was Suzy Annetta. Suzy is a fellow Melbournian and the founder of Design Anthology, Asia’s premier English-language interiors, design, and architecture magazine. After meeting Suzy at a talk she was chairing at Den Fair last June, I reached out for an interview after discovering she is launching an Australian edition of Design Anthology.
If you’re hungry for great architecture photography in an epic location that harnesses great compositions and use of models, look no further than this Project of the Week! Today we’ll be exploring NYC based photographer Kevin Scott’s images of The Messner Mountain Museum Corones by Zaha Hadid Architects.
Over the years I’ve had the great fortune of befriending many very talented photographers from around the world; I’ve also come to have an obsession with all things British thanks to binging episodes of Grand Designs and Top Gear. Consider me another American British Fetishist, I suppose.
I was recently talking to my mother and she said she was enjoying the blog – what was it called? Apple-maniac? Damnit, mom! And she’s not alone – I’ve had a few people bring it up in conversation, so I want to pose a couple questions to our excellent readership and settle the most important debate of our time.
A recent article by Lexi Taciak discussed how we finally have the perfect podcast for architectural photographers, and the latest guest on the BAAM podcast was none other than APA’s founder Mike Kelley himself – and the insights he provides are invaluable.
Personally I enjoy listening to a podcast while I edit or write articles.
It seems near-constantly that we are asked for ‘all rights’ to the photographs, or to own them in ‘perpetuity’ for some reason or another, but a recent e-mail exchange I was a part of presented a perfect opportunity to share one way I ensure my clients have the license they need while at the same time not giving in to overreach and a loss of image rights.
Barry MacKenzie is a tour de force player in the Architectural Photography / Interiors game. Chances are, you’ve seen him on the PROEDU tutorials, at his workshops with Tony Roslund, or heard him lately in his role as co-founder and host of our favorite new podcast, BAAM.
All of Barry’s work is incredible, and there could be a POTW on each project of his, but I’m pretty taken by a short and sweet shoot he did for Hedgeford and Berkley.
As architecture photographers, it is our job to have a solid understanding of architecture. I recently taught a workshop to a group of aspiring photographers and when I asked “who is familiar with the work of Richard Meier? Zaha Hadid?” a shockingly low number of hands went up – which tells me we have a problem here!
I recently had the opportunity to chat with one of my favourite fellow Melbourne based photographers, Dave Kulesza, about his journey into photographing interiors and architecture which transpired through a home renovation project. Dave’s fascinating career has evolved on his own terms, culminating in a solo show featuring his project DPRK: The Colors of North Korea.
BPN Architects’ Ghost House has been causing a ruckus across the architecture industry, winning awards and being picked up by publications; and rightfully so because it’s so stinkin’ cool! As-Cast concrete, huge windows, modern lighting, and bold symmetry make this house worthy of Project of the Week.
HDR has become a dirty word in professional architectural photography. We’ve all seen the over-processed HDR real estate photos where the colors and tones are off, and everything looks crispy and awful. Don’t get me wrong; tasteful HDR like the work of Trey Ratcliff as an artistic choice, now that can be cool.
On edit days when I’m glued to my desk, unable to sit in silence, I cruise through entire discographies of music by the bushel. In an attempt to harness the time I’m sitting still, and actually learn something, I’ve turned to podcasts. It seems though, that there’s an endless amount of things to do at my desk and a finite amount of genuinely good content to consume.
In 2009, Våler Kirke (Vaaler Church for us English speaking folk) was lost to a fire. Mourned by the Norwegian town, a global competition was opened up for the church’s reconstruction. Architect Espen Surnevik was the victor and created the new design for the church which honors its heritage while putting a modern spin on the “rebirth” of the original structure from 1805.
A group of high-profile architecture visualization professionals have banded together to ensure that they are properly credited when their work is disseminated throughout the architecture and media world at large. A problem that many photographers are also familiar with, for years, architectural visualization artists have found their work has gone uncredited when those assets are so vital to getting architecture projects off the ground.
Late last year, I was in Auckland, New Zealand, visiting a few architectural firms as I was interested in exploring opportunities across the Tasman. One of the firms, Patterson Associates, had been on top of my list because of their incredible residential projects located in some of the most picturesque coastal locations in the country.
Architects, interior designers, developers, and hotels don’t just exist in big cities, and neither do architectural photographers. I personally know photographers everywhere from the biggest cities in the world to remote and desolate areas, and they all have different definitions of success – but one thing is for sure and that is they are all making a healthy living at it, although using different methods and approaches.